
Mark and I were very flattered to be invited to Puffin's New Voices evening on Monday, 9th November.









Lou and I have been chatting on and off for a while now, especially after I irrevocably fell in love with Matthew Sturges's novel: Midwinter. I convinced Lou to do an interview with us, which sort of became more of a guest blog, to be honest.
Synopsis:
What did you do before you were a writer?
I worked as a New York City based flight attendant, travelling the world and working on my debut novel, Faking 19, during long weather delays and boring layovers—basically whenever and wherever I could find a free moment to spare!
Where do you do all your writing?
I have a home office where I pretty much hunker down in the morning and stay put all day—just like a “real” office job, only I go to work in my pyjamas!
Which of your characters do you most admire and why?
I really admire Ever for her strength. She was forced into this horrible situation—losing her family, burdened with psychic powers she doesn’t want—and has no choice but to navigate her way through a new life she really doesn’t understand, with no one to confide in. And though she makes some mistakes along the way, she always picks herself up and keeps going, determined to make amends, set things straight, and do the right thing. It’s a pretty tough gig that she’s got!
What’s next after you’ve completed the Immortals series?
I’m working on a new series now, set to debut in Fall 2010, that’ll feature Riley, (Ever’s ghostly sister), as she navigates her way through the afterlife. So far it’s been an absolute a blast to write and I’m really excited about it!
Loads of fans are making casting trailers for your books – if you could cast any actor-actress in the roles of your main characters, who would you choose?
Oh, I hate to admit it, but I am just terrible at this! I think because I can see the characters so clearly in my head, it’s hard for me to cast them with real live people. But I love seeing the reader’s choices, they’ve come up with some really good ones. A few have mentioned Ben Barnes for Damen, and I have to admit that he’s suitably dreamy!
What were your favourite books as a child?
I loved anything by Dr. Seuss, Charlotte’s Web by EB White was the first book that brought me to tears, and Judy Blume’s Are You There God? It’s Me, Margaret changed my life and inspired me to be a writer too!
Is living in the OC as glamorous as what we see on the TV in the UK?
Every time I see one of those shows I can’t help but wonder what I’m doing wrong. My OC, while undeniably beautiful, with one of the most gorgeous coastlines around, consists of pretty much the usual, real life stuff—grocery shopping, bill paying—nothing anyone would ever want to film!
If you could have dinner with any 3 people, dead or alive, who would they be and why?
Leonardo da Vinci because he was an absolute master of so many things, David Sedaris because he can make me laugh and cry in the space of a single paragraph, and Bono because, well, because I love him!
What TV show are you currently addicted to?
Dexter—it so brilliant I’m in awe! But I’m also loving Mad Men and True Blood too.
What are you reading at the moment?
The Encyclopaedia of Ghosts and Sprits—for research purposes!
Here's the blurb:
There are good and bad film adaptations of every genre of literature but horror seems to be the most popular for literary remakes. In this post I want to explore the five best and worst transitions from book to screen, while talking about my favourite genre, horror.
The good...
5. The Exorcist (1973)
4. Silence of the Lambs (1991)
3. Carrie (1976)
2. Misery (1990)
1. Dracula (1931 onwards)
Honourable mention (for Mia Farrow’s legendary haircut alone): Rosemary’s Baby (1968)
So why are the good so good?
I think one of the main reasons I love these five films so much is that they play up to our psychological fears. They’re the kind of films you’re left thinking about for days after, they don’t rely on cheap shocks or gore to scare the audience. If you look at the five books their villains are terrifying because of the mind games they play with their victims, because they’re so mentally unhinged it’s horrifying to watch them unravel.
Another thing these films have in common is that they’re all brilliantly acted by actors who really care about the genre. I don’t think anybody will ever forget fourteen year old Linda Blair’s oustanding performance as possessed child, Regan McNeil, in The Exorcist. It was after watching The Exorcist for the first time that I really became fascinated by adaptations. I’d have no idea that the film was based on a book and once I read William Peter Blatty’s classic, I was hooked. Soon after that I began to devour Stephen King’s works and there was no going back.
Linda Blair wasn’t the only actor who sealed her success in an adaptation. What about Christopher Lee and Bela Lugosi, who both ruled the silver screen through their timeless portrayals of Dracula? Sure, vampire’s may be the latest trend in horror and I know of many, many people who are sick to death of the Twilight phenomenon but, honestly, when the original story is so utterly captivating, who can blame the hundreds of directors who wanted to cash in on a bit of vampire magic? Dracula may be one of the most famous examples of a book to film adaptation that works. Sure, there are a few dud films but when vampire films are good, they’re outstanding.
All of the books I’ve mentioned above are driven by strong, memorable characters who work exceptionally well on the big screen. Is there a horror villain more memorable (and strangely charming) than Hannibal Lector? I don’t think so. His first interview with Clarice Starling is a scene I will never forget and, for me, Silence of the Lambs is, perhaps, one of the only instances where the film’s strength actually transcends the book.
But what list of outstanding services to spook and gore is complete with a reference to horror overlord, Stephen King? There have been countless remakes of King’s tales of terror, ranging from the terrible (Firestarter) to the terrific (Pet Semetary) but just a handful of these adaptations do the books justice. In my opinion, two of the best are Misery and Carrie.
By this point I’m sure you’re all wondering why I haven’t mentioned the great enigma itself, The Shining. There’s nothing I can say to build upon what other people have already written, so, in short; Stanley Kubrick’s adaptation is flawless and its fame has almost overshadowed the book but I don’t think any director can summon the power on screen that King can create on a page.
So, what is it about Carrie and Misery that worked so well? Well, Carrie will forever have a place in my heart as the first horror movie I ever saw, at the tender (and perhaps slightly premature) age of nine. And Misery is a film I will always relish watching with first time viewers. If you can sit through the notorious hobbling scene without wincing once, I wholeheartedly applaud you.
And, really, let’s hear it for the girls. Sissy Spacek put in an unfogettable performance as troubled teen Carrie White (“They’re all going to laugh at you.” Terrifying) and Kathy Bates was indeed Oscar worthy as deranged Annie Wilkes. Never before have I been so scared of a nice farming lady and her ceramic penguin. Spooky.
And the bad...
5. The Stand (1994)
4. Salem’s Lot (1979)
3. It (1990)
2. Frankenstein (1910 onwards)
1. Flowers in the Attic (1987)
So, why are the bad so mind-numbingly awful?
Now, I enjoy a good, traditional splatterfest as much as the next horror enthusiast but there are some things I just can’t condone and a bad Stephen King adaptation is one of them.
Think you can take one of the most timeless stories of all time and turn it into a dreadful ABC miniseries? Not on my watch. I’m talking, of course, about the sorry 1994 adaptation of The Stand.
The book is regarded by many as a masterpiece of the genre but the adaptation has been hailed as ‘campy and mundane’ by one Internet critic, who also suggested the casting was so terrible that ‘the only character who was cast accurately was Kojak, the dog’. *Bianca, author of this review, generously rated the show 2/5. Many other critics were not so kind.
Watching The Stand is a woeful experience, especially if you’re a fan of King’s work and the epic run time of 366 minutes really doesn’t help matters. That’s the thing with horror, it can’t be dragged out for too long. You need smart, snappy screenplays that cut to the chase and keep you gripped from start to finish. Of course, we need time to bond with the characters but the films on this list manage to neither charm nor hold anybody’s attention and, unfortunately, The Stand isn’t the only disappointing King adaptation, not by any stretch of the imagination.
Let’s examine exhibits 3 and 4, namely, Salem’s Lot and It. Let me start by saying that I absolutely adore both of these books. I really do, they’re two of my all time favourites and I really did try to enjoy the adaptions.
Let’s start with Salem’s Lot. Ah, a good old vampire story. Like I mentioned earlier, there are many brilliant vampire adaptations; there are also many shoddy efforts and, sadly, this falls into the latter category. King’s novel had a host of quirky characters who helped bring the story to life and there’s a terrific social commentary running throughout the book. These little details were missing in the miniseries, which relied too heavily on visual scares and tense moments, which never quite made me jump.
Then there’s It. It is probably my favourite Stephen King story of all time and when I heard there was a miniseries lurking in the back shelves of HMV, I had to see it. I shouldn’t have bothered. I cannot even begin to list the reasons you should avoid seeing this terrible piece of cinema. I have nothing good to say. Well, perhaps Pennywise is a bit creepy. I’d say more pervy than anything. Either way, not good.
Onto my penultimate choice. Flowers in the Attic is a good film and I did enjoy it. However, it wasn’t until I read the book years later that I realised what I had been missing. The incest and the Nazis; God, I’d been blissful in my ignorance.
Rather than the filmmakers and actors, I think the people to blame for this are those who work at the censorship board. Yes, Flowers in the Attic is not the most pleasant bedtime story, yes, it deals with things that might make the general viewing public uncomfortable but it’s briliantly written and the message is lost in the Hollywood adaptation that shies away from the difficult subject matter dealt with in the books.
I urge you, read this moving series of books before you watch the film; it will make the whole experience a lot more powerful. Although, I must point out that the fantastic “Eat the cookie!” moment will stay with me forever.
So, this brings me onto our final film on the list. It’s arguably the most famous of the bunch and may possibly have spawned even more remakes than Dracula. It is, of course, Frankenstein.
Now, Mary Shelley’s classic is not exactly light reading but it’s a harrowing story of love, isolation and man’s dangerous thirst for knowledge and power. Shelley’s novel has been described as the first of the ‘mad scientist’ genre and it is stunning reading. Sadly, the vast majority of Frankenstein films are made up of emotionless monsters with cardboard box feet and crazed scientists who trill “It’s alive!” at every opportunity.
The magic of Shelley’s novel was lost by the wayside many decades ago and there doesn’t seem to be any hint of a decent Frankenstein adaption on the horizon. Never fear though, once vampires have had their day, perhaps it will be the turn of the lonely monster and his reckless creator.
I also want to mention a few foreign adaptations that I feel are often overlooked in these lists. Of course there are the Asian frightfests: The Ring, Old Boy and Battle Royale, to name a few. But I really want to draw your attention to, what I believe is, the best horror film of this year. Let the Right One In is an adaptation of the Swedish novel of the same name and I was astounded by both book and film.
As I said before, vampires are all the rage but Let the Right One In manages to refresh a tired stereotype and I literally couldn’t take my eyes off of the film. It’s visually stunning and the story works just as well on screen as it does on paper. If you watch any film or read any book I’ve mentioned in this list, please make it Let the Right One In. I’ve heard horrible rumours there’s an American remake coming up (somebody even uttered the words ‘Miley Cyrus’), which already has me cringing.
So, with The Vampire’s Assistant and New Moon soon to be upon us the idea of novel adaptations is showing no signs of slowing down. I hope this list of the good and bad has made you think a bit more about adaptations. Some of them are brilliant, some of them are truly awful but as long as books are still serving as inspiration to those around us, that’s enough for me.
Carly Bennett
(*Bianca’s review of The Stand can be viewed here.)
About Carly Bennett
Carly is a 21 year old Creative Writing student at Bath Spa University. She's just about to graduate (which is utterly terrifying) and move into a swanky house in Bath with my boyfriend, Mark, and dear pal, Holly. She's hoping to make it, at some point, as a novelist or travel writer and her blog (here) chronicles her journey into the world of writing. Scary.
I love the fact that we have this reservoir of untapped talent we can call on to talk to us about all manner of weird stuffs. In this instance, Matt (THE Teen Librarian) chats about Zombies.
When there is no more room in hell, the dead will walk the earth
In extreme circumstances, the assailants can be stopped by removing the head or destroying the brain. I will repeat that: by removing the head or destroying the brain.
It shall also be qualified as attempted murder the employment which may be made against any person of substances which, without causing actual death, produce a lethargic coma more or less prolonged. If, after the person had been buried, the act shall be considered murder no matter what result follows. Article 249 of the Haitian Penal Code
Liches, Revenants, Undead – they have many names but none more chilling than Zombie.
The first zombie-related book I can remember reading was a collection of short stories called Zombie edited by Peter Haining, it was published in 1985 so I would have been about 11 or 12. These stories (or the ones that I can still remember) focused on the traditional zombies of Voodoo myth, the dead raised up to do the bidding of their masters, it was in this book that I learned that salt would send a zombie back to its grave. On the strength of Zombie I purchased the novelisation of Dawn of the Dead by George Romero. I can still remember the cover – it was black and white with the title in blood red, it gave me nightmares.
After that zombies sank into the background, they were always in the movies with George Romero tinkering away at what he is best known for and the remakes of the first films that introduced running zombies – totally going against the accepted view of the undead as shambling, unstoppable monsters.
I think that zombies are the most horrific in the pantheon of monsters we know. With werewolves we can remember the words: Even a man who is pure in heart, and says his prayers by night, can become a wolf when the wolfbane blooms, and the autumn moon is bright. They can be stopped with wolfsbane and silver, they can even be cured. Vampires are either tragic or evil but still operating to rules we can understand.
Then we come to zombies: they are pitiless, unstoppable and can look like our best friend, our dearest love, but their hunger is insatiable.
The first zombie-related book I read this year was the excellent Forest of Hands and Teeth by Carrie Ryan, set in a post zombie-apocalypse world it shows how humanity has adapted to survive in a world where they are surrounded by what they now call the Unconsecrated.
Closer to home are The Beautiful Dead a new series by Eden Maguire, the first two books Jonas and Arizona are out now. These books have a totally different slant on the undead, not the mindless revenants of myth, they are returned to find out why and how they died. Aided by Darina, their schoolmate and only person alive that knows that they have returned. The Beautiful Dead mixes mystery, murder and melancholy with themes of love and loss.
The Zombie Survival Guide and World War Z by Max Brooks detail how to survive zombie attacks and what happened during and after the Zom-pocalypse. Charlie Higson brings zombie terror to the streets of London with The Enemy - the first in a new series of novels about a world where everyone over the age of 14 is dead or a zombie hungry for the flesh of a the young.
In the 1970’s when the film Dawn of the Dead was released, zombies were a satire on the mindless consumerism of the people that flocked mindlessly to America’s shopping malls. These days the consumerism is still there but zombies can be seen more as a metaphor for the credit crunch, it was a long time in coming but almost everybody was affected (infected).
Nobody knows where or how the Undead plague started but with the current crop of books rising from the dead I know one thing -no matter how far we travel we are never alone for the dead travel with us!

One of the first things that comes to mind for me is Freddy Krueger and the Nightmare on Elm Street films. I know these aren't strictly monster movies - at least in the traditional sense - but there's something monstrous about the idea of not being safe in your dreams that got to me and scared me half to death when I was a kid - I still struggle to watch the films and then get some sleep afterwards. Despite this I've got a fondness for monster movies that has stuck with me ever since.
The absolute classic alien monster film. This not only gave us an iconic monster that has endured for 30 years, but took the basic 'b' movie idea and raised it to play with the big boys. The first film was pretty much a straight monster movie and when it was released there were people running out of the cinema screaming and puking because of the infamous chest-buster scene. Aliens took a different apporach which added so much to the mix while the last two films were more of the same rather than too much new, but still worth a watch.
The Tremors films
Twenty Eight Days Later - Tagline - His fear began when he woke up alone. His terror began when he realised he wasn't.I did a tiny happy dance on the train this morning when an email came through to me from Random House with some news.
And being the benevolent blogger that I am, I am of course sharing it with you! And because I love giving stuff away, there's a competition too!
Good Luck!
Check the Competitions tab at the top of the page - please also check the dates.
Good luck!