Showing posts with label natasha mostert. Show all posts
Showing posts with label natasha mostert. Show all posts

Friday, May 01, 2009

Natasha Mostert - The Keeper

please note: all photos used in this post, are courtesy of Natasha's website.

Mark and I recently were invited to the launch party for Natasha Mostert's new novel, The Keeper. We had a wonderful time and had a chance to meet Natasha face to face and be in awe of her fighter "boys" and meet some of the amazing people in her life. We were fed the most divine chocolate and finger snacks served by a lovely group of servers who were very free with the champagne.


I was even more thrilled to be able to chat to Natasha the day after, over an extended cup of coffee. The conversation ranged far and wide and I left with stars in my eyes. There is nothing more uplifting than getting a chance to speak to a personal hero like this. I also handed Natasha a set of questions I had drawn up for this interview which she graciously took the time to do.


Photo by David Dettman
Me (fan-girling): Many thanks for agreeing to do the interview – it is truly exciting!

Natasha, professional and calm: Thanks for your interest, Liz. And thanks for coming to my launch party the other evening and celebrating with me!


Tell us a bit more about your journey between Season of a Witch and The Keeper?

After I wrote Season of the Witch, I did not want to repeat myself and I deliberately decided to head in a different direction. So instead of a love triangle between two women and one man, The Keeper tells of a love triangle between two men and one woman. Instead of my characters being “posh” and living the good life in a swish neighbourhood, my heroine is a tattoo artist and live in a rather gritty area of South London. Of course, anyone familiar with my work will still be able to tell that I am the author – the narrative still has a wingbrush of darkness to it and the story has a strong mystical underpinning – but the themes and ideas are wholly new. The one common denominator is that both novels are books about an obsession that turns deadly.

I found that The Keeper felt an intensely more personal novel – was that your intention?

I’m usually not much in favour of authors using their own lives as fodder when they write their books – mainly because we authors lead pretty boring lives and I don’t think we’re really all that interesting as people! I therefore don’t think I had set out intentionally to write a personal novel. However, because The Keeper is set in the world of martial arts, which is a world I know extremely well, it did affect the story. And there were small personal touches. Mia, my heroine, has a chameleon as a pet, and I had one as a child as well. But I should immediately state that Mia is far cooler and hipper than I could ever hope to be!

Following on from that, can I ask you about character development and creation? Mia and her troupe of fighters she looks after come across as such genuine creations, how do you go about creating them?

It was important to me to keep the characters and environment in my book real. So often in martial arts fiction, the characters are able to run up perpendicular walls, float above the ground, engage in mystical sword play and pull off other spectacular physical and mental feats. I did not want to go that route. My characters are composites of fighters I know and they are real people. I’m their biggest fan – for almost seven years I’ve been following them from fight to fight. I know the problems and injuries they face when training. I know what it smells like in a fighter’s dojo! I understand the rivalries and camaraderie of their world and I hope I have managed to portray this environment accurately. There are, of course, mystical elements to The Keeper, and my heroine is in possession of a pretty cool skill, but I worked hard not to turn my characters into super heroes.

Your writing style is at once literary, gothic horror and mystery suspense and action adventure – how would you classify yourself / your writing?

Well, this is the question my poor publisher would like answered as well.

Publishers like to place labels on their writers because booksellers want to know where the book should go on the shelf. But my books straddle genres and have been embraced by many different communities. My novels are usually whodunits, or as in the case of The Keeper, whydunits and fit into the mystery and crime genre, which is why I am a member of MWA (Mystery Writers of America). My stories are very firmly embedded in reality, but there is usually a fantasy element to the narrative as well, which is why I am also a member of the SFWA (Science Fiction Writers of America). Even though there is no blood or gore in Season of the Witch, it was nominated for The International Horror Guild Award, which in the past was won by writers like Stephen King and Peter Straub. And there is always a love story at the heart of my books, and therefore I am fairly extensively reviewed by Romance reviewers too. If I had to describe my books I would call them mystical, idea-driven thrillers.

In The Keeper, your antagonist is intensely charismatic and although you realise that he is a Bad Man, you managed to convey a sense of empathy in your writing. Where do you find that quirk in a character’s personality to turn them into the antagonist and more importantly, how do you manage to convey him as a multidimensional character?

Villains are often one-dimensional characters – most thriller writers like their readers to hate the villain and to support the hero whole-heartedly. I’ve always thought it more interesting to give the villain some depth and to make his motivations not completely repulsive. Ashton is the one character in my book that makes a journey. At the end of the book, he is not the same person he was at the beginning. This kind of transformation is a journey usually travelled by a hero, not a villain.

Adrian Ashton was a fun character to create. As you say, he is a highly seductive personality and my heroine at first finds herself drawn to him. He seems to have had the same effect on my readers as well. I have received so many messages from readers saying they found him interesting, sexy and even likeable. I suppose part of this has to do with the fact that I’ve made it possible for the reader to get an intimate look at Ashton’s deepest thoughts and desires. Ash writes a diary called The Book of Light and Dust, in which he explains his passions and his reasons for killing. Many of my readers wrote to me that they could understand his reasoning even if they disapproved of the fact that he is a murderer.


Natasha and her sparring partners.

How did your martial artist friends react when you told them you were doing a book set in their / your world?

Oh, they were thrilled and of course, they all wanted a starring role. Each one of the little darlings thought the book would be about him. I told them my characters are composites but I don’t think they believe me. They’re still trying to “read” themselves into my story.

Your books are deeply layered – it can be read on many levels. Where do you even start your research into the various topics which you cover in your novels? I suppose this question should be: how do you do your research and when do you know what to put in your novel and what to keep out of it?

All my books are research intensive and yes, that creates its own problems. Research is both potion and poison. I love research – I will happily sit in front of my computer for days simply clicking from link to link. My favourite place in the world is the British Library. But I have to be disciplined. Research is like an ice berg – only the tip should show. You need the knowledge, otherwise you can’t write with authority, but if you get carried away and keep adding little interesting titbits to the narrative the plot of the book will collapse under its own weight. In The Keeper, for example, I had a merry old time filling one of my chapters with all kind of fantastic information about Edison and research done at the Institute of Neurology at the University College of London. But that chapter sat there like a big, inedible chunk of taffy. In the end I reduced eleven pages to six paragraphs. It broke my heart, but it was for the best.

What are you cooking up for us next – if you are allowed to tell us!?

Ah, at the moment I’m still stirring the pot trying to see what is going to pop to the surface. I am presently engaged in doing research on four different topics. Each of these ideas, I think, will make a good novel but I’m waiting for the research to tell me which one will be my next story. But I have to say, Liz, you said something to me, which made me think. You suggested I write a book about Mia’s mother, Molly. In The Keeper Molly is no longer alive but she still throws a long shadow. She is a wild and very colourful person whose life ends tragically. But I’m beginning to think you’re onto something and her story could be a fascinating one. I’ll keep you posted…

You travelled all over the States, to promote The Keeper (where it is known as The Keeper of Light and Dust) – do you have any interesting / amusing anecdotes?

While I was in the States I did 34 radio interviews in a period of 13 days and this kind of pressure can make you lose the plot. I had one hairy telephone interview where I headed off in totally the wrong direction. I was under the impression that this was a radio show about fighters and fighting and was in full swing holding forth about blood, sweat and broken bones when I belatedly realised that the show was actually a "health" show. I couldn't understand why the interviewer sounded so bemused and had this wondering tone in her voice whenever she used the word "combat". Once I realised my mistake I segued smartly into remote healing, chi and light inside the body – also themes in my book -- but I fear it was too little too late.

Tell us about CPAU Fighting for Peace which lies very close to your heart.

While I was writing The Keeper, I happened to read – quite by chance -- an article about “Fighting for Peace”, which teaches Afghan women how to box and feel empowered in their lives. I was so fascinated by this programme that I contacted the organisers to find out more about it and how I can contribute.

The idea of boxing Afghani women sound rather strange, but it is a wonderful programme. Afghanistan is a very challenging place to be a woman. 87 percent of Afghani women are illiterate. 54 percent of brides are under the age of 16 and 1 in 9 will die in childbirth. By using boxing as a vehicle, this empowerment programme packs a huge symbolic punch and tears down very strongly the stereotype of the Afghan woman hiding behind her blue burqua. I was also very touched to learn that these ladies train in a gym that is attached to a stadium where the Taliban used to execute people, including women.

I have decided to donate some of the proceeds of The Keeper towards CPAU and have also donated the £5,000 award money I received last month when Season of the Witch won the Book to Talk About: World Book Day Award. I am hoping it will inspire generosity in my readers even in these tough times. Any-one interested in the programme should please go to my website , www.natashamostert.com where they will find a direct access link to CPAU.

Looking back at your writing career and the experience you’ve garnered over this time, if there is one thing you can share about writing with newbie writers, what would that be?

Grow a thick skin and persevere! Make peace early on with the fact that not everyone will like your work. Sometimes you will receive negative feedback – try not to let that shake your faith in what you want to do. Don’t start doubting yourself if you get rejection letters. Remember: your writing skill is only one part of the equation. You also need a massive dose of good luck. There are many talented writers out there who find it very difficult to break into print – not because of the quality of their writing but because of completely random things. Your manuscript may have been read by a bored editorial assistant instead of an editor. Or if it is read by an editor, she may still decline simply because she has already accepted another book on the same topic for her list that year; or she may be stopped from purchasing your book because of in-house politics, or…oh, so many things. But if you truly love writing and can’t live without a keyboard, then stick with it.

Further news and TWO competitions:

Natasha currently has one of the coolest competitions going over at her site. You have the opportunity to win a Kindle or a Sony e-reader (amongst other things) - and all you have to do is play a little game called The Keeper. This is the link . Then, as a random fun item, Mark and I have one of the party favours from The Keeper's launch to give away - I am not telling you what it is, it is a surprise and it is unique and pretty cool and totally in keeping with The Keeper and it's the background of martial arts it's set in. So, for a chance to win, email us at myfavouritebooksatblogspot (@) googlemail (dot) com with THE KEEPER in the subject line - and we'll do a draw on Friday next week (8th May) and I'll post it off to you that same day and I'll put a picture up of what you will be getting.

Sunday, April 05, 2009

The Keeper, Natasha Mostert


Synopsis

Mia Lockhart has a secret.

Her mother was a keeper, as was her grandmother – women who were warriors, healers and protectors.

And when a mysterious man enters her life, she puts this to the test. Adrian Ashton is a brilliant scientist – and a killer. With the aid of an ancient Chinese text, he has mastered the art of capturing the chi of his opponents -the vital energy that flows through their bodies.

Mia finds herself drawn to his dark genius. But when he targets the man with whom she is falling in love, she is forced to choose between them.

Soon it becomes a fight to the death in which love is both the greatest weakness - and the greatest prize.


Natasha Mostert is the acclaimed award winning author of the beautiful, surreal and darkly gothic Season of the Witch. In this, The Keeper, her second novel published by Transworld / Random House here in the UK, she shakes off her gothic cloak and firmly enters a different world, one which you can tell she has a great affinity for - that of the world of martial arts.

Natasha is a practicioner herself and her love for the sports, the forms, the fighters and what they go through shows vividly in her writing.

In Mia we have a unique heroine - she is a martial artist herself but she is also a tattoo artist with a tremendous skill and responsibility - that of being a Keeper - a Keeper is always a female, someone who cares for a group of fighters, stepping out to care for them in the spiritual world, bringing back that essential life force - chi - to help them heal and care for them. Being a Keeper is having a strictly non-sexual relationship with the fighter under her care - she becomes a mother of a sort, a carer, an odd relationship with a small select group of non-professional fighters.

The Keeper is wonderfully written. If you have read or even heard about Season of the Witch, you will know that Natasha's work brims with a strong strain of supernatural and surreal. Whereas Season was incredibly dark and dangerous, The Keeper is not necessarily a lighter read but it feels less close, less shadowy and perhaps less constricting, although the concepts behind the novel are quite dangerous and nervewrecking.

The Keeper will appeal to a wide audience - it ticks the boxes for action adventure, mystery and romance, it also ticks the box for genre fiction, in the sense that it is almost urban fantasy and paranormal romance. It is also a very macho novel, in the sense that it deals with fighters and martial arts - there is almost a bit of Eric Von Lustbader in here in the sense that it explains a great many martial arts concepts and it has a very shadowy and extremely ruthless villain.

I honestly am hoping that I am not confusing anyone with the above paragraph - The Keeper is a bit of a pie book - it has slices of so much in it and it is an excellent read. Also, perfectly published in time for the Summer!

The Keeper is available on the 9th of April 09 from all good bookshops and online. This is the link to Natasha's website. Make sure to find your way through to the main site for The Keeper where you can read the full synopsis, read more about the concept of Chi, out of body experiences etc. Just a note: it is being published in the UK as The Keeper whilst it is being published in the States as The Keeper of Light and Dust.

A further note: Natasha has decided to donate the income from The Keeper to help fund CPAU Fighting for Peace programme which is an amazing initiative - you can find out all about it on Natasha's website.

Friday, March 06, 2009

**Winner of Book To Talk About Revealed**


I am SO incredibly excited (and proud) to announce that Natasha Mostert has won the Spread The Word poll for her book Season of the Witch!!!!! Thanks to everyone from MFB who voted for her.

I just received the news via the Bookseller email and have liberally copied some of the text below:
***
More than 8,000 people voted online – in the World Book Day poll - on the "talkability" of a list of 50 titles selected by a panel of judges. The titles were then whittled down to a shortlist of ten at the end of January.

Mostert secured 25% of the public vote to win the poll and received a cheque for £5,000 at a ceremony in Waterstone’s Piccadilly, London, on WBD. Season of the Witch is published by Bantam Books.

Mostert said: "The premise of Season of the Witch is that twenty-first century man is losing his ability to remember because of all the technological tools at his disposal.

"We can hardly remember our own mobile phone numbers. In contrast, our ancestors had muscular memories: Simplicius was able to recite Virgil backwards. Seneca the Elder, who was born in 54 BC, was able to listen to a list of two thousand names and then repeat them in exact order."

The central character in Season of the Witch, Mostert’s fourth novel, is computer hacker Gabriel Blackstone who is able to see into the thought processes of others. He is reluctant to use this gift until he is contacted by an ex-lover trying to track down her step-son. Blackstone’s journey leads him to Monk House and a mysterious adventure in the occult.

The ten short-listed books were:

Bad Traffic, by Simon Lewis
Catch a Fish from the Sea (Using the Internet), Nasreen Akhtar
Fifteen Modern Tales of Attraction, Alison MacLeod
Imagine This, Sade Adeniran
Random Deaths and Custard, Catrin Dafydd
Season of the Witch, Natasha Mostert
The Fantastic Book of Everybody's Secrets, Sophie Hannah
The Opposite of Love, Julie Buxbaum
Vicky Had One Eye Open, Darryl Samaraweera
Wild, Jay Griffiths

***


How good is this for Natasha? The book is simply brilliant and I would urge everyone to go out and buy a copy. Not just that, but there is also a film-deal on the cards for Season of the Witch! This liberally stolen from Between the Lines: Film rights for the fantastic gothic thriller, Season of the Witch by Natasha Mostert, have been sold to Allotria Films. Andrew Davies has written the script and James McTeigue is slated to direct.

Tuesday, February 10, 2009

Spread the Word


Back in October 08 I posted the link to the longlist of books selected as part of the Spread the Word campaign.

Things have rapidly moved on from there and this is where they stand now:

Voting to find The Book to Talk About 2009 has recommenced.

Votes on the long list have not been carried over and so you are invited to cast your vote again for any of the titles on the shortlist of ten. All ten titles offer something unique, refreshing and stimulating, and each would make a worthy winner. You can continue to comment upon all the titles; comments will be published shortly after being received.

Every week a random draw will result in one voting lucky winner receiving £100* worth of National Book Tokens.

You can also take part in our survey to discover readers' guilty reading secrets http://www.spread-the-word.org.uk/guilty-secrets/

A participant chosen at random will win £100 *(or Euro equivalent) worth of National Book Tokens (UK and Ireland-based participants only eligible)


About Spread the Word: Books to Talk About

Thousands of books are published every year, and only a small percentage makes the mark that it should.

The World Book Day team asked publishers large and small to submit books they thought deserved to reach a wider readership – most specifically those that would make good subjects for discussion, those that don’t merely entertain, but give greater food for thought.

From the many submissions received, we selected fifty titles we felt fulfil the criteria.

This year we have included both fiction and non-fiction on the list, with something for all interests and tastes.

Voting on the long list ended at 12 noon on 2nd January 2009. A short list of ten titles is announced on 30th January 2009 and voting has recommenced. Voting closes at noon on Friday 27th February. The winner will be announced on World Book Day - Thursday 5th March 2009.


I've just popped by and cast my vote for Natasha Mostert's Season of the Witch as it is such a superb piece of work. Here is my review I did for Season of the Witch along with the interview Natasha graciously let me have.

Happy reading and voting!


This is the link - thanks for pointing out the lack of that, Rache!

Tuesday, October 21, 2008

Let's talk about...



books, of course!

I spotted the Spread the Word campaign's kicked off for 2009.

From their website:


Thousands of books are published every year, and only a small percentage makes the mark that it should.

The World Book Day team asked publishers large and small to submit books they thought deserved to reach a wider readership – most specifically those that would make good subjects for discussion, those that don’t merely entertain, but give greater food for thought.
From the many submissions received, we have selected fifty titles we feel fulfil the criteria. Each and every one brings something different, refreshing and stimulating.

This is an opportunity to vote for your favourite book on the list, so that we can find The Book to Talk About 2009.

This year we have included both fiction and non-fiction on the list, with something for all interests and tastes.

I am really excited about this project - I know many of the books nominated are worthy of winning but I would - selfishly - like to highly three of four of these which I have read and really enjoyed or am planning to read.

Firstly, the novel by an amazing author which I would personally like to thank for being an inspiration to work further on my own writings and to continue growing My Favourite Books: Daniel Clay. He wrote the amazing Broken which I reviewed shortly before it was published. I cannot recommend it enough as it is tremendously topical, both heartwarming and eyeopening at the same time.

Secondly, read it for its plotting and fantastic use of symbolism: The Season of the Witch by Natasha Mostert. Again, a book I hugely enjoyed, being deeply mystical, intricately plotted and artfully capturing the duplicitous nature of women and how trying to do the right thing hardly ever seems like doing the right thing.

Thirdly, The Archivist's Story by Travis Holland. This is one I am currently reading and I'm finding myself deeply affected by it. I won't say more until I've finished reading but for such a slender volume it packs a huge punch.

Fourth, one which I've received from Beautiful Books but not yet had time to read, so I'll make sure I get to it! The Glassblower of Murano by Marina Fiorato. The description makes you salivate, wanting more and from the comments on the Spread the Word site, it's been received with open arms.

Happy reading!

Monday, July 14, 2008

Natasha Mostert Guest Blog and Interview

Here is the lovely interview Natasha Mostert agreed to do for me. Her newest paperback: Season of the Witch has just been released through Bantam. Natasha's website is here and this is her Myspace page.

How do you cope with having two publishers – one in the UK and one in the States – without losing the plot?

Sometimes I don’t just lose the plot, I lose my marbles! Seriously, it can be a challenge if you are published on both sides of the ocean by different publishing houses. Both my editors are excellent at what they do, but they edit the manuscript independently from each other and according to their own vision. I end up receiving two sets of notes and I have to find common ground. The last thing I want is for two widely differing novels to appear under the same title! But even when I try my hardest, I know the two manuscripts will end up showing small, but quite significant differences.

This is the case with Season of the Witch as well. If you buy the book in the States, you will have a slightly different reading experience than if you buy it in England. British editors tend to be more gloomy and American editors more chirpy. American editors like the hero to be victorious; British editors like them to suffer stoically. The author, who is stuck in the middle, has to tread carefully.

What do you get up to before you start any of your novels? For example, do you research before or during your writing?

I tend to do the biggest chunk of my research before I type the words Chapter One. This is when I go into wikipedia mode – moving indiscriminately from link to link on the internet and seeing where the research leads me. During this period I also read more non-fiction books than I care to remember. But there is never a time when I draw a line under the research and say: enough. It continues right up to the end and even beyond. I’m working on the edits of my new book at the moment and I still find myself researching!

Are your characters fully formed once you sit down to write and do you allow them a bit of freedom to do their own thing or do you plan each novel rigorously and force them to behave?

I’m a disciplined writer. My novels are planned to the last chapter otherwise I know I’ll write myself into a corner. But my characters are usually larger-than-life and they are feisty and difficult and temperamental. I know them inside out once I start writing, but they still manage to surprise me. Very often they’ll insist on taking off in a direction I had not planned for them. But that’s what keeps the buzz going and stops the writing from becoming stale and predictable.


You mention either carrot or stick as motivation for writing but do you ever go through an afternoon or a day that you would rather be kickbox against Jet Li than write?


This is a trick question, right? If I have a choice between sparring with Jet Li or sweating at my keyboard, believe me I’ll go for the flying kicks!

Writing is hard work! And not as much fun as people may think. Once the manuscript is finished it is the most wonderful feeling imaginable but sitting in front of your computer six to seven hours every day with only your own thoughts as company can be tremendously draining.

On the other hand, I am like most writers and would be desperately unhappy if I didn’t get to write every day. As one anonymous writer said: “I have to write, even if it is only a suicide note!”

Do you listen to a lot of music when you write and similarly are any of your scenes influenced by any music scores?

I won’t be able to write without music. In fact, I won’t be able to live without it: music is oxygen. Hans Zimmer’s soundtracks are fantastic background music for writing, as is the music of Shahin and Sepher. My mother is a voice coach for opera singers and opera is one of my passions. And then there is Loreena McKennit: she sings the way I wish I could write.

Who is the most famous person you have met in your writing career?

Stephen King. He kissed me! I met him at The Edgars Convention in New York and we started talking about Season of the Witch. Not that he had read my book, but he could hardly have failed to notice the T-shirt I was wearing. Emblazoned across my chest were the words “Prepared to be seduced”. I’m all for subtlety in my stories but when it comes to publicity…Anyway, the darling man not only signed a copy of Lisey’s Story for me, but also kissed my cheek. I didn’t wash my face for a week.

What was the very first thing you did when you found out you are to be a published author?

Called my husband. Called my mother. Called my aunt. Called all my friends. Called people I hardly knew. I think I may have stopped perfect strangers in the street.

Do you have a ritual that you do once you’ve completed each book?

I open a bottle of wine and force my long-suffering husband to listen to choice tidbits from my new manuscript.

The timeframe of 18 months that you mention on your various blogs, to complete your books, are these times you set for yourself or are they only “mental” timeframes and do you allow yourself leeway?

They are very much linked to contract deadlines. If a publisher gives you a contract, there will be a very strict time limit and you miss that deadline at your peril. A publisher will usually grant an author either a year in which to come up with a finished product, or two years. I’m a two year writer – I usually finish in eighteen months, but I like to give myself six months of elbow room.

Can you give us a hint of what to expect in your next book Dragonfly?

I am sad to say the book will no longer be called Dragonfly. I am not happy about this but my publishers have the final say and both editors – UK and US – thought the story should be retitled. The book is now tentatively titled The Book of Light and Dust and is a suspense novel about martial arts, quantum physics, tattoos, sweaty men and chi (the vital energy, which the Chinese believe to flow through our bodies.) Now, does that not pique your curiosity?

Authors are sometimes recorded as saying that writing is a very lonely job. Do you make sure you go out to meet up with friends and family once you’ve started a new piece of work or do you hide from the world?

I pretty much go into a cave when I write but I like to keep my evenings free for my husband. And some weekends I do meet up with friends. But during the week I follow a boring routine. I write six to seven hours a day and try to turn off the light at ten so I can be fresh when I get up at 5.30. And then I have my kickboxing: I’ll be lost without it. Apart from the cathartic aspect of it, it is amazing what good friends you become with people who trade blows with you on a regular basis!

Do you get to have a say on any of your book covers?

As with the title, my contract states that I need to be consulted on this decision. In practice, though, it means my publisher has the final vote. I’m allowed to moan – and believe me, I do -- but in the end, I’m not the one who gets to say yeah or nay. This is a big bone of contention between author and publisher and can make for a lot of friction.

Any favourite TV shows or DVD’s that you make time to watch?

Even though I don’t get much time to watch, I like TV – although I know that’s a terrible thing for an author to admit. I love James Woods – great timing – and will watch Shark if it’s on. I like Numbers – I think the math geek is a hottie -- and I love Firefly and Inspector Morse. (The soundtrack of the Inspector Morse series is another favourite when I write.) When I can’t sleep, I watch cage fights on Bravo or on Men and Motors. I am a big Randy Couture fan and am very sad he has retired.

I laughed out loud when I read about your book signing that took place in Borders at Oxford Street. Have things improved since?

No, publicity events are always dicey. You never know if you are going to have two people in the audience or twenty. And sometimes people will get belligerent. My big problem is my terrible memory. By the time the publicity events roll around, I’m already knee-deep into the next manuscript and can hardly remember the name of the hero in the previous book. This can make for an adventurous evening.

It is very clear that you read widely and enjoy doing your own research. Do you ever find yourself getting lost in your research and struggle to get back into your writing?

Research is both potion and poison: I love the research part and because the topics I write about are esoteric and complex, I need to spend time familiarising myself with the material. But I have to take care not to allow myself to be carried away or I'll never get going. It is a struggle.

Do you have any favourite genres that you read in? Horror, fantasy, urban fantasy, literary fiction, etc?

I do not discriminate. I read everything from Cormac McCarthy to manga.

Do you think you are superstitious?

I don’t throw salt over my shoulder and I’ll happily live on the thirteenth floor of an apartment building. But I grew up in South Africa and my nanny was a Zulu woman who introduced me to African mysticism and the world of the isangoma (witch doctors). She definitely sharpened my awareness of things that are not easily explained: synchronicities, coincidences, those small ripples that hint at something hiding behind the dusty curtain of everyday living. It influenced my way of thinking.

What is the strangest thing you do when you write – discounting melting cheese in the microwave, that is!

Does talking to myself in the mirror count? Or does everyone do that?

Do you have any favourite authors / literary heroes?

I am totally captivated by Jorge Luis Borge. He is a literary magician who plays with his reader's mind, taking you down labyrinthine paths, bringing you in confrontation with doppelgangers and teasing you with artefacts from strange exotic places: strange one-sided discs from which a king derives his power, a frightening book that infinitely multiplies its own pages, incomplete manuscripts that tell of stories in the land of immortals. A brilliant, melancholy and elusive voice.

Any books / websites that you find invaluable whilst writing?

I suppose I always start off with Wikipedia, although I do take care to check the facts independently as well. And then there is my trusty Roget’s Thesaurus – my favourite book in the world.

How would you sell Season of the Witch to a customer should you be a bookseller in a bookshop?

If the customer looks hip and funky:

“ You have to read this book! The characters are two beautiful sisters who live in Chelsea, London, do bungee jumping, practise witchcraft and pose in the nude. You’ll love it!”

If the customer looks serious and intellectual:

“You have to read this book! It takes on big themes: love, death, alchemy and the power of the human mind to transform and transcend reality. You’ll love it!”


Do you have any advice for aspiring authors?

When you write, switch your internal editor to mute and just write. If you second guess yourself constantly, you’ll block your creative energy. Don’t give up. And don’t take yourself too seriously. Remember what G.K. Chesterton said: “Angels fly because they take themselves lightly…”


Season of the Witch has just been released through Bantam and you can buy directly from their website or from Amazon or Waterstones.com.
I received an extra copy of Season of the Witch from Bantam - thanks chaps! - and would like to offer it as a giveaway. I'll let the competition run for the week. Respond to this post with a favourite book or author, of any genre, and I will do a random lucky draw at the end of the week, week ending 18th July. Remember to check back for the notification of the winner!

Sunday, July 13, 2008

Season of the Witch, Natasha Mostert

Synopsis

Gabriel Blackstone has an unusual talent. A computer hacker by trade, he is also able to enter the minds of others. But he uses his gift only reluctantly - until he is contacted by an ex-lover who begs him to find her step-son, last seen months earlier in the company of two sisters. And so Gabriel visits Monk House, a place where time seems to stand still, and where the rooms are dominated by the coded symbol of a cross and circle. As winter closes in, Gabriel becomes increasingly bewitched by the house, and by its owners, the beautiful and mysterious Monk sisters. But even as he falls in love, he knows that one of them is a deadly killer. But which one? And what is the secret they are so determined to protect?

Season of the Witch is an adept piece of chilling storytelling that competently mixes subjects such as remote viewing, magic, alchemy, parapsychology and the quest for ancient knowledge into a heady concoction of expert storytelling.

I enjoyed Season of the Witch because of pure and intelligent storytelling and the creation of its two intriguing female characters, the sisters Monk with the fantastical names of Minnaloushe and Morrighan.

Gabriel is asked by an ex-flame of his to please try and find her stepson who had gone missing. He was known to have been involved with the two exotic older women. Gabriel is at first not particularly keen to help but as the story develops we learn that he is probably the best person to do so as he has a strange set of skills.

In his youth he had trained as a remote viewer. Something I had heard of before (who hasn't watching X Files!) but have not really encountered it before in a book. I found the various concepts hugely fascinating and sat back to enjoy all the threads coming together as the story developed.

Gabriel’s current job was not entirely legitimate and he works freelance as an electronics information hacker – both these skills help him infiltrate the very interesting lives of the two sisters and he finds himself intrigued by both of them. He becomes very close to them, spending a lot of time with them at their beautiful home - Monk House - and escorting them around town. The author portrays the two sisters so well that it is easy to see how Gabriel becomes so intrigued by these extraordinary women who live their lives with such gusto.

There is a breathlessness about Season that is reflected in the way the story unfolds. You know you are rushing towards this tremendous climax and you are helpless in the grip of the novel, simly knowing something momentous is going to happen.

I was not at all disappointed by the ending of the story and derived a sense of “job well done” satisfaction from it and really wished Gabriel the best at the end.

There is a lot of information to sift through in the novel but it doesn’t make for clunky reading. The author has a deft easy touch with her descriptions and I found myself doing research on the side into the various subjects the sisters are so keen on. A lot of this is discussed on Natasha’s site, so do feel free to visit them here.

I have got a very interesting blog to follow on from the review by Natasha and a mini competition for a copy of the paperback of Season of the Witch.