Showing posts with label sarwat chadda. Show all posts
Showing posts with label sarwat chadda. Show all posts

Friday, April 13, 2012

Ash Mistry and the Savage Fortress - by Sarwat Chadda



Varanasi: holy city of the Ganges.

In this land of ancient temples, incense and snake charmers…
Where the monsters and heroes of the past come to life…
One slightly geeky boy from our time…
is going to kick some demon ass.

Having read and thoroughly enjoyed Sarwat’s two previous books, Devil’s Kiss and Dark Goddess, and had my appetite whetted by his guest blog last month, I'd been looking forward to getting to grips with Ash for some time. The concept behind Ash is very cool, and the fact that it's set in India made it even more so (particularly given that up to now my knowledge of Indian mythology was largely a product of the vacuous offerings of the Temple of Doom).

The titular hero is a chubby thirteen year old boy who, as the story begins, is starting to seriously regret accepting his archaeologist uncle’s invitation to visit an India which had had hitherto only experienced through history books and photographs, none of which could have prepared him for the noise, the crowds, the dust or the flies. Ash doesn’t consider himself Indian per se- he’s a Londoner, and would normally be spending his summer hooked up to a LAN and armed with nothing more than a bucket of KFC and a litre of Coke. Instead, he’s stuck in a sweltering, dusty city and starting to worry about his aunt’s plans to find him a nice girl to marry.

And then he goes to find his little sister who's wandered off at what should have been a run-of-the-mill and thoroughly boring party hosted by Lord Savage, a rich philanthropist with a penchant for ancient Indian history. But a few wrong turns amidst the old fortress puts Ash’s destiny onto a path he could never have imagined, because Lord Savage harbours a secret as dark and terrible hunger as his hunger for power.

Ash's accidental discovery of a hidden chamber sets a chain of events in motion that sees him question his own sanity as all hell threatens to break loose.

The pace of the story accelerates steadily as the new reality facing Ash and his sister begins to bite, and Sarwat doesn’t take his foot off the pedal from here on in. The good vs evil theme within the story might be familiar, as the classic story of the eternal hero, but the richness of the setting and how vividly it come across give the story a great, fresh flavour. The demons are truly creepy, terrifying beings without a shred of humanity, and the imagery surrounding them is wonderfully dark and chilling, particularly when Ash and his bad-ass but subtly tragic companion reach the ancient, demon ravaged citadel in the desert. The myths and legends feel new and exciting- they’re integral to the story, and they're blended in very well; it never felt like I was sitting through a Mythology 101 lecture. In fact, I would have been happy to have had more of it in there. I mean, what’s not to like about demon-hunting goddesses with six arms, magic weapons, buried cities and golden demons?

This is a phenomenally fun book, with a great supporting cast, an insanely over the top plot and a believable, likeable Asian hero who undergoes a blistering yet believable hero's journey. This entire package is testament to Sarwat's passion, research and innate ability to tell a damn good story.  It's Percy Jackson with extra chapati.


The American cover, because it's awesome.




You can visit the very spiffy Ash Mistry website here.

Monday, March 12, 2012

Guest blog: Mistry Monday by Sarwat Chadda

As a friend of MFB and one of those cool guys who you can talk to about anything and everything, we were really pleased to agree to a have Sarwat chat to us about what went into making his new novel Ash Mistry and the Savage Fortress.

A bit about the novel:

Varanasi: holy city of the Ganges.

In this land of ancient temples, incense and snake charmers…

Where the monsters and heroes of the past come to life…

One slightly geeky boy from our time…

IS GOING TO KICK SOME DEMON ASS.


Ash Mistry hates India. Which is a problem since his uncle has brought him and his annoying younger sister Lucky there to take up a dream job with the mysterious Lord Savage. But Ash immediately suspects something is very wrong with the eccentric millionaire. Soon, Ash finds himself in a desperate battle to stop Savage's masterplan – the opening of the Iron Gates that have kept Ravana, the demon king, at bay for four millennia…

Research and the truth about your writing


I love researching for a new story. I love reading history books and visiting places and talking with people as I’m growing an idea for a new book. In fact, the actual book is almost just an excuse to do the above.

A friend of mine will spend months and months absorbing the minutiae of a medieval farmer’s existence before writing a single word. But by the time he starts he came describe what the man had for breakfast and the date of a dozen saints’ days and how to build a reed boat. That works for him and the books are totally immersive.

As long as I’ve got the dates roughly right and the right people in the right place, that’s me good to go.

It takes about six months to get all the bits falling into place. With Ash Mistry it took a lot longer because I went way too far. Research is not story and you don’t win prizes for showing off how much you know. You win them for a great story and that, my friends, takes a huge chunk of making things up. Fiction, in other words.

I knew the story, a British-born Asian boy goes on holiday to India and fights a whole bunch of demons. The research was broken down into the following rough chunks:

Varanasi

Setting. Okay, we’ve got India, but where? It’s a big place. Fortunately I was able to rely on the ‘write what you know’ and I knew Varanasi, India’s holiest city. It was exotic, ancient. The old city was a labyrinth of narrow alleys and hidden temples. The river was lined by the burning ghats and, most importantly, there was this amazing maharajah’s palace down river. But setting is more than just geography and a few buildings. It’s the atmosphere. It’s the feel of the place. You want the reader to breathe the spices and dust and feel the heat and crowds. That meant a visit out there (no real hardship) and getting down feet first on the streets I wanted to write about. I found out who gets cremated and who doesn’t. I found out what crocodiles inhabit the reeds on the river bank. I re-visited the old, dilapidated maharajah’s palace with a writer’s eye, looking at where events in the book might happen and how far the river was from the battlements and what other buildings lay nearby. How far was it from the city? I was there a week, just walking and chatting and making notes. I took the train and watched the porters sleeping under their thin shawls on the platforms and the vendors delivering curry as the train rolled in at 4am. Not all of it went in (some I’m saving for book 2). Maybe 30%? But it gave me the confidence to write what I wanted to write and, if there were gaps (and there always is) how best to cover them with something that felt right.

Harappa
History. I love history and I’ve accumulated a lot of odd bits of data over the years. I have a crap memory of faces and names but a good one for battles and generals. Ash Mistry and the Savage Fortress is steeped in ancient history and it all needed to tie up. No shortcuts here because it’s easy to check. The book’s premise concerns the ancient civilization of Harappa, and I went out to the four-five thousand year old city to look for myself. It’s not a huge part of the book, but it’s in the foundations. You may not see it but the tale won’t stand without it. There was stuff about the East India Company and the Raj and the old dynasties of the subcontinent. It supports the setting but in a different way. You can go too far and forget when to stop and that was my problem. I wanted to add it all. Then, like an over-spiced curry, it became unpalatable. Maybe the paragraphs in Hindi were a tad too much.

The goddess Kali
Mythology. The big one. The book is set in India, so the usual vampires and werewolves and ghost just wouldn’t hack it. The myths, the magic, the bad guys had to have that Indian angle too otherwise I might as well not have bothered. The most popular legend in India is the Ramayana, the tale of Prince Rama and his battle against Ravana, the demon king. I read loads of versions of the tale, looking for themes and the bits that appealed most. It has everything. Quests, epic wars, armies of monkeys! Again, moderation is the key. Not all of it at once (the monkeys will be in book 2). The central philosophy of the country includes the concept of reincarnation and that struck deep and hard. What if Ash was Rama, reincarnated? Suddenly the book had so much more depth and connection. Ravana, the greatest evil the world had ever known was about to be freed from his thousands’ of years of imprisonment and fate had decreed his nemesis, Rama, was needed. But instead of a noble prince he’s a plump, cowardly 13 yo boy, Ash Mistry. Sorted.

Ash Mistry
The personal. No matter how much of the above, if the reader doesn’t connect with the protagonist then they’ll not read it. All research must be balanced by what you feel about it. What emotions and thoughts does it generate. A holiday brochure can show you more about a country, and quicker, that four hundred pages of text. This is about a boy, discovering he’s a hero. Finding his place in the world. Realising that what he does has, and will, echo through history. He’s been here before and he will be back. How would he react? How would you react? That’s what I mean about personal. We’re in on Ash’s adventure and for all the scenery and history its about how he gets your heart pumping and the sweat rising as he faces demons and horror and fear under the most intense pressure imaginable. What would you be willing to do for the ones you love? That’s research within yourself and the truer you are, the better. But it’s hard. But that’s because it matters most.

***

Gaah! Now I'm watching over my shoulder for Ravana and Kali - thanks, Sarwat.  Ash Mistry and the Savage Fortress is out now from all good bookshops and online.  But also, Sarwat has worked hard with his publisher and they've put together such a fab new website for Ash.  Do check it out - the artwork I have linked in the blog is from there.  The photos for Varnassi and Harappa I've sourced from tourist sites online.

Monday, December 06, 2010

12 Deaths of Christmas - A Chainsaw Gang Event

Photo from Harry Snowden's remarkable online portfolio
On the first day of Christmas,
my true love sent to me
A corpse hanging from a pear tree. 


All of us here at MFB are very excited to be the first stop on the 12 Deaths of Christmas event dreamed up by the Chainsaw Gang after the recent Crystal Palace Children’s Festival.  We had the opportunity to ask the group a set of questions in the spirit of the 12 deaths of Christmas.  Well, the group IS called The Chainsaw Gang! 


Check out the varied answers to my question below. 

Sunday, October 24, 2010

Crystal Palace Children's Festival - 23rd October


It was pure fluke that I got to go to this event yesterday.  I was meant to be around town with a good friend of mine but she rang me and cried off with the dreaded lurgy.  So Mark and I flung on some clothes and headed up the road (literally 2 minute drive) to hang out with a bunch of utterly amazing guys and girls who brought the whole festival together.

The books I took with to get signed
Naturally I took all the books I could find by attending authors and got them all signed.  I also bought a truckload more - mostly picture books for me and my god-daughters.   Well, mostly for me, to be honest!

The books I bought and had signed

The one display of books for older readers. 

Sarah McIntyre looking very pleased after her talk 

The Stripey Horse and his friends are drawn by creator Karen Wall whilst Jim Helmore chatted to the kids about their books.

Loot bag! I now own one!

The smalls in the audience utterly captivated by the storytellers. 

Guy Bass chatting about Secret Santa - Agent of XMAS

Mark and I sat in on Guy Bass's talk about Christmas and his new book I received from Stripes to review.  I am so glad we did - I was rocking with laughter at his antics.  Incredibly funny, Guy instantly struck a rapport with his young audience.  Now, when I read Secret Santa for review, I know exactly how the voices are supposed to sound so I'll be able to read it in the exact tone.

After Guy's talk, there was a lunch break.  Mark and I had a quick bite to eat and also hung around the nearly Pet Shop and checked out some lovely reptiles. 

So pretty!
Albino reptile whose long name I completely forget but who is exceedingly expensive but very pretty.


We next headed for the library to sit in on the Horror Talk hosted by some members of the Chainsaw Gang: Sarwat Chadda, Alex Bell, Sam Enthoven, Steve Feasey, Jon Mayhew& Alexander Gordon Smith.  






The talk was very informal - everyone introduced themselves and the books they had written, also mentioning the long / short road to their eventual publication.  There was an interesting mix of adults / kids / teens in the audience.  Because things were so informal, it was really like sitting in on a long rambling chat about writing and getting published with some of your mates.  Questions came spontaneously from the audience and the conversation flowed easily.  I think this may have been the first time some of the Chainsaw Gang actually appeared together and I have to say, they all really ran with each other's comments, filling it on and expanding on it with their own insights and things.  The core topics really were: know what you want to write - fill the book with stuff that interests you and remember everything comes back to the characters, but also do your research when you want to send your writing out.  Find out who represents (agents) the books you write and what publishing house accepts unsolicited manuscripts for the genre you're writing in.   It was great seeing some of the coolest people in the industry chatting about something they love so much.  It made a big impact on quite a few of the audience. 





Alexander Gordon Smith showing off some props from his Lockdown novels. 

Sam Enthoven chatting about his novels Crawlers, The Black Tattoo and Tim: Defender of the Earth. 

Jon Mayhew giving us some lip about Mortlock, his debut novel from Bloomsbury

Steve Feasey striking a thoughtful post during the proceedings. 

Sarwat Chadda contemplating how to make the Chainsaw Gang even scarier.  


Final picture - Alex Millway signing one of his Yeti books whilst his daughter looks on.

This is my second Crystal Palace Children's Festival I attended and I have to say that the event has grown.  Alex Millway, the owners of Bookseller Crow on the Hill, and all the other authors and attendees and helpers, including South Norwood Public Library, deserve a massive thank you for hosting these fantastic events.  There were comic book workshops and Manga workshops which I didn't get the chance to attend but all I can say is, from the attendance and the enthusiasm of those taking part, the day was a great success.  I am incredibly proud of this small festival as it has so many legs it will no doubt grow into a larger festival quite soon.  I had a wonderful time, getting to listen to some great storytellers read from their books.  It was also so much fun watching the smalls get involved with the storytelling.  The parents too, seemed to have a great time.  Their patience was commendable and I really do hope that yesterday created a whole new batch of eager readers and storytellers.

A big thank you to all the organisers and I can't wait for the 2011 event.  Or is that too soon to talk about it?

Wednesday, July 07, 2010

The Dark Goddess by Sarwat Chadda



Synopsis:


After the death of her soulmate Kay by her very own sword, Billi SanGreal has thrown herself into the brutal regime of Templar duties with utter abandon. There is no room for feelings any more - her life is now about hunting down the Unholy.


But when Billi and another Knight Templar are caught at the heart of a savage werewolf attack, only Billi survives - except for a young girl at the scene who Billi unthinkingly drags away with her as they escape. But Vasalisa is no ordinary girl. She is an avatar with an uncontrollable power - and it's not only the werewolves who want her.


Billi has to flee to the frosty climes of Russia, with a human timebomb who, it seems, could destroy the world . .


Did you guys see how I lied? Last week I promised a review of Sarwat Chadda's The Dark Goddess but it never transpired.


You may well wonder why. The honest truth is I felt that my review would not do it justice. I wrote it, fangirling like a fangirl, shortly after I read the manuscript. Yes. The Manuscript. See the pic below. It's now slightly mangled from living in my bookbag for a while but it is precious to me and will get SC to sign it for me.



My review read like a twihard's stuttering after meeting RPatz in person of even Steph Meyer. Nothing wrong with that, true, but not the type of review I wanted to convey my feelings for The Dark Goddess.


So I deleted the whole thing, gave myself the weekend to get over myself. I now feel that I am now distanced enough to give a balanced review.


What struck me overall is how much Mr. Chadda has matured as a writer. There is a clear escalation of writing - both in story arc, conflict and character development. In The Devil's Kiss Billi was not a likeable character, not to me anyway. Oh, I admired her guts and had a lot of sympathy for her, but I really didn't want to hang out with her. She was self-absorbed, selfish, moody and a bit unpleasant to be around. However, she needed to be for her story to be told, for us to get to know her.


In The Dark Goddess we see a different side of Billi. At the end of TDK a Bad Thing happens. She loses someone very close to her. But as is the nature of real life, you have to go on. Especially so for the handful of Templars left. Billi is still a squire in the Templars and she's still the one that has to do drudge work. But her father, Arthur and the rest of the Templars, see her as a valued member of their team and not a liability. Her head is in the game. Probably too much so. She holds herself aloof, aware that if she fails at anything she does from now on, it can and will have disastrous consequences.


The novel opens with a fight against a group of female werewolves (the Polenitsy) who are keen to steal away a little Russian girl. The Templars fight them off and the little girl is saved. But her grandparents were killed during the attack, so the only thing they can do is take her with them back to Temple.


We soon realise that the girl is someone special. We witness it when she brings dying plants back to life before their disbelieving eyes. Arthur and his team realise that Vasilisa is an oracle, a visionary / psychic. And the werewolves want her so that they can sacrifice her to their goddess.


Fantastically fraught and an awful concept to conceive but honestly, the author makes it work. We suspend our disbelief, in his hands this world is real, we are hunted for our humanity and only Billi and her Templars can save us.


Slowly, the story is pieced together. It necessitates a trip to Russia to rescue Vasilisa and an opportunity to sort things out with the Polenitsy and hopefully stop the destruction of the world. You know, the usual events in Billi's life.


In Russia they team up with a band of warriors called the Bogatyrs lead by a chap called Koshchey. Billi also meets Prince Ivan Romanov, the last of the Russian royal line. He's Billi's age and he sounds like such a fantastic character and I am really looking forward to hearing more about him. Go and have a look at Sarwat's interview where I ask him about Ivan. He stands out in YA fiction to me - he has great potential and he needs guidance and someone to help him grow from being a stubborn, little bit spoiled, tough teen into an independent young man.


Well - saying more at this point will reveal too much of the story. But needless to say everyone does not go off and live happily ever after. There's a plane crash, there are wolves, there are fights, there is sneaking, there is betrayal on an epic scale and there is also death. The book runs a gamut of emotions and through Billi we get to experience all of it. She's such a fantastically cool creation and she is to be admired - holding her own in a nasty and unsympathetic world.


I can't urge you enough to give this book a try. It is unique in scope and character. A worthy urban fantasy for the YA market.


Also. Werewolves still rule. In my opinion. Even if they are sometimes a liiiiiitle bit bad.


The Dark Goddess is now out in all good book stores. Go, buy.

Wednesday, June 30, 2010

Sarwat Chadda talks Templars, Old Gods and Werewolves


Readers, I am so excited to present our second interview with Sarwat Chadda. He's currently doing a blog tour here in the UK to celebrate the release of his new novel, The Dark Goddess, which is the follow-up to The Devil's Kiss. Now, between you and me, I really enjoyed The Devil's Kiss but trust me when I tell you that The Dark Goddess will blow you away. It's ridiculously good and well, read my review that'll be live tomorrow but in the meantime, read Sarwat's interview with MFB today.

1. Another year, and a brand new book from you! Can you tell us what Dark Goddess is about without giving too much away?

The Dark Goddess is Baba Yaga, a twenty thousand year old witch who sees herself as the living embodiment of the natural world. She’s seen the damage humanity has done to the planet, the pollution, the destruction of the forests and extinction of so many of its species that she’s decided the human race needs to be culled.

And who’s the say she’s wrong? What other species has prospered under the dominion of Man? Not one.

But Baba Yaga is old, weak and far past her best. She feeds on the psychic energy. If she’s to create a global cataclysm she needs to gain more power. What Dark Goddess centres around is a young nine year old girl, Vasilisa. She’s a potential avatar, a psychic of god-like proportions. The Templars have found her and Billi’s sworn to protect her until the Templars can get Vasilisa to Jerusalem, where she’ll begin her training to be the next Templar Oracle.

Meanwhile Baba Yaga has sent her priestesses, the Polenitsy, to find Vasilisa and bring her to her. The Polenitsy are old school religion. They believe in human sacrifice and will do anything for their goddess. They are also werewolves.


2. Having had the opportunity to read it I have to say I love how much Billi has grown as a character. Although she’s still pretty darn tough, there’s a new vulnerability to her that is really charming. This enhances her as a character greatly. How did you as a male writer tap into a teen girl’s psyche to pull this off?

Having two daughters, a wife as a first reader and two female editors certainly helps. However lot of teen issues are the same, whether male or female. Billi’s conflict is centred around her identity, what is she going to be, now she’s on the threshold of adulthood. What responsibility is so going to take on for the wider community and of course, who does she love?

Devil’s Kiss presented her with two sides of her personality, reflected in Mike and Kay. Mike was the resentment, the anger and the rebellion while Kay was duty, compassion and the chance for honesty.

Love is shaped by the type of person you are, and want to be. Through it we aspire to be better than we are and strive far more than we’d do for ourselves. This theme is all the way through Dark Goddess. Baba Yaga loves the natural world. The Polenitsy love Baba Yaga. Ivan loves Russia and as the story develops, Billi too. But, after the pain Billi’s suffered, she’s closed herself off and that makes her a smaller person. What Dark Goddess is about is her rediscovering her connection with other people and her capacity to love.


3. I know you’ve been to Russia to research the places Billi gets to see in Dark Goddess. What was your experiences like when you were there?

Moscow is AWESOME. The place is just gigantic and has a monolithic grandeur. The tube stations have mosaics, bronze statues and chandeliers. The palaces are endless and the city is dominated by the Seven Sisters, Stalin’s skyscrapers that brought Moscow into the modern age. I love it in the way I love London, it’s mythic. It reeks of history and has a brashness that comes with its new found freedom, but under that skin is a deep, old culture and a profound connection with its history.

Rather than wander around with a guide book I contacted Alan Steel who runs a company called Russian Gateway. He arranged a guide who took me way off the beaten track and filled me in on a lot of history that gets brushed over in the usual tourist articles. Then he did the Russian translation work for me too. Alan really helped turn the story around so it didn’t read like a travel brochure.


4. Billi’s relationship with her dad has changed dramatically – she is still a squire in the Templars – yet there is a newfound respect between Billi and Arthur yet you sense that there is still a hesitancy there. Will they ever be a happy father/daughter unit?

Things have moved on in Devil’s Kiss and Billi’s accepted her duty as a Templar. She still doesn’t like it but she knows she has to do it. And there’s what she achieved in Devil’s Kiss, saving all the firstborn. Arthur respects her for that and the price she paid, emotionally, in defeating the dark angel. Alas, both father and daughter share a lot of tragedy. Arthur will never recover from the death of his wife and that has tainted his relationship with Billi. I hope Billi does move on from her loss and certainly the emotional journey she takes in this book is centred around her embracing life, rather than brooding in the darkness and being angry with the world, which is Arthur’s way. So, Billi has a new maturity that Arthur lacks, and he knows it. I think that’s another big reason Arthur has a great respect for his daughter. She survives her pain and moves on, which is something Arthur can’t do.

But while they’ll never be an openly affectionate family, there is an incredibly deep bond between them and part of that is because of Jamila, Billi’s mother. That’s something I’d like to explore if the series continues.



5. Most of the action in Dark Goddess takes place in Russia. You have used a lot of imagery and legends from parts of eastern Europe and Russia and they play a big role in Dark Goddess. Did you have a lot of fun doing research and playing with mythology?

I’ve been reading about Russian mythology since the early 1990’s, which was when I first decided to do a Baba Yaga story. I’d done some travelling around Eastern Europe and had just visited Romania, and Transylvania so was very into the Dracula myth too.

I find Eastern Europe fascinating because the culture and mindset, as well as the myths, are very different. There’s a darkness to the tales that’s been taken out of the Western fairy tales, and there’s a greater sense of the otherworld. The forests are spookier and the characters much more macabre and you cannot tell the good guys from the bad guys so easily.

Four characters come up again and again. Prince Ivan, Vasilisa the Fair, Koshchey the Undying and Baba Yaga. I’ve put my own spin of them in Dark Goddess but, hopefully, retained their virtues and vices from the original fairy tale versions.


6. I think the reason everyone likes Billi so much is that she is a no nonsense kind of girl that can as easily smile at you than put you on your butt. Did you have to learn what it was like being able to throw punches or use weapons to write it well?

I’ve dabbled in a lot of martial arts as I’ve grown up but never for long. I’m a writer, not a fighter!

Actually, writing about fighting is a curious skill. It’s all in the anticipation, rather than the event itself. I don’t write much about the actions, but on the emotional state of the warrior. It’s life and death and so Billi’s feelings will be intense. We don’t really need to know how she swings the sword, but what she’s feeling as she does it. The fear, the excitement.

Billi’s all about raw emotion and that’s what appeals to me when I write her. She’s not a girl who does things by halves! She’s not cool or calculating. Even when she’s trying to be cut off and cold at the beginning of the story you sense her emotions storming beneath the surface. Perhaps she feels too strongly, too intensely. But it’s what makes her such fun to write.


7. Let’s talk Romanovs. Specifically let’s talk about Ivan Alexeivich Romanov. Tell us a bit about Ivan. What makes him different from the usual bad boys we see in YA these days?

Ivan’s the anti-bad boy. Ivan’s an old-fashioned hero, elegant, civilized and totally deadly. He’s had the best of everything and has a certain, natural arrogance of nobility.

The bad boy template’s been a bit done to death now and hasn’t really evolved from the James’ Dean misunderstood, ‘tough on the outside and soft on the inside’ formula. And all he needs is the love of a good woman to make it all better. There was absolutely nothing I could do to add a new spin on the bad boy character so decided to go the opposite direction. If you spot a cliché, do the opposite. It’ll keep your writing fresh and interesting.

Ivan isn’t like that. He’s got responsibility, duty and commitment to what he believes in. He is willing to die for his honour, which isn’t something modern heroes have any real interest in. What I love about Ivan is he realises that nobility is not in the blood, but in the deed. He has set himself an ideal and that is what he strives for. To be better.


8. Tied intrinsically with Dark Goddess are the werewolves. Here we have really tough Amazonian werewolves who follow matriarchal law. Why did you decide to buck the trend and walk away from male alphas / male dominated packs?

My two biggest werewolf inspirations were from ‘Women Who Run with the Wolves’ by Clarissa Pinkola Estes and Angela Carter’s short story collection ‘Company of Wolves’.

Werewolf mythology is intrinsically female. It’s centred around moon worship which is a female deity and connected with Hecate, the goddess of witches. Plus the weapon of the Amazons was the double-headed axe, itself mimicking the curves of the moon.

On the Yin/Yang front I wanted DG to have a strong female energy to balance the male dominated energy of Devil’s Kiss, where Billi and Elaine were the only two female characters in the entire book and that was centred around the Templars, all men. I wanted to create a rival organization, as tough, as deadly and as dedicated as the Templars and my female werewolf pack fits that role perfectly.

9. What have you learned about writing between Devil’s Kiss and Dark Goddess? Do you think you’ve grown as a writer?

Very complex question since I still feel very much a novice. I’m making fundamental mistakes still but am getting quicker at recognising them and correcting them. The biggest difference is greater objectivity. To stop a problem with a story you need to be able to view it from a distance. This is not easy especially when you’ve got deadlines and the urge is to write and write and write. But what you need to do is think.

What I’ve also noticed is my lack of tolerance for reading. I read less and am far more willing to put a book down that just doesn’t work for me. That’s a shame because I’m finding it harder to get out of the writer mode when you’re reading and analysing, rather than just letting yourself get caught up in the world of the story.


10. I love the short stories you’ve been doing on the site, will we be seeing more of those? (explain here if you like, why you are doing them because obviously we know, but others may not)

There was going to be slightly over a year gap between Devil’s Kiss and Dark Goddess so I thought it would be fun to write a series of short stories to fill the space. Some would hint at the second book, or expand on some event out of Devil’s Kiss, others would look at one of the secondary characters.

I’ve done about four or five. Some have been released on my website but some are being saved for the US publication, so do keep checking. I’ve two more I want to work on. When Arthur joined the Templars and the first meeting between Billi and Kay.


11. Two years on, on the cusp of Dark Goddess being published, what is your writers’ advice to newbie authors now that you’ve had a lot more experience in the biz. I’m referring to the advice you gave us in our previous interview, over a year ago, see my cleverly added link for reference.

Funny reading up on it, later down the line. I was at a function yesterday talking to an agent trying to place her zombie novel with a publisher. Problem is EVERYONE now has their zombie book so don’t want any more. So, I was right, the zombie trend has come and gone. Apparently dystopia is the next big thing, following from Knife of Never Letting Go, Hunger Games and Matched. You have been advised.

The only thing worth emphasising is passion. You have got to love writing. When it’s your fifth rewrite, deadlines are looming and the plot makes no sense whatsoever the only thing that will stop you from giving up and becoming an accountant like your parents wanted, is the passion. No matter what a shambles my attempts are with this job, I love it as much now as I did in that first interview. More in fact. I can’t believe this is my day job. When I’m at the pc lost in the world I’m building, nothing else compares. AND you get paid for it. UNBELIEVABLE.
**
Thanks for that really interesting interview, Mr. C! The Dark Goddess is out tomorrow, 1st July (yay!) so make sure to get yourself a copy...or swing by here tomorrow as I'll be running a competition in which you can win a signed personalised copy of The Dark Goddess. UK entrants only, just so you know!
In the meantime, make sure to visit Sarwat's blog site here and his website here, to keep up to date with all his shenanigans. Also, the next stop in the blog tour will be: Bookzone on the 2nd of July.

Wednesday, April 14, 2010

Sarwat Chadda on Memphis Morning TV

I love this so much - friend of the blog, Sarwat Chadda on Memphis Morning TV chatting to the presenters about his novel, Devil's Kiss.



I chuckled so much watching this - it's such a good chat they are having and Sarwat so doesn't look nervous at all.

I am reliably informed that MFB will be part of a blog tour for the sequel to Devil's Kiss in June - yes, you can imagine my squeeling of joy. Aren't I good to you?

Tuesday, January 12, 2010

Cover P0rn 2010



Friend of MFB, all round good guy and bloody good writer Sarwat Chadda has just sent out this gorgeous cover for his second novel: Dark Goddess, due out later this year from Penguin/Puffin here in the UK.

And people, you have to admit, this cover is simply stunning. I think uploading it in high res has retained it's quality so do go ahead and click on the image to take you to a larger version of it.

From having chatted to Sarwat about Billi's journey in Dark Goddess I deduce (she says, using her Holmes voice) that we're going to look back at Devil's Kiss and go"that was a cake-walk" compared to what Billi's going to go through in this one.

Is it wrong to want to fast forward time to speed things up so I can read books not yet published? Yeah, I thought so too!

Monday, October 19, 2009

Sarwat Chadda Short Story - The Bodmin Accord

Artwork taken from Werewolf Art Drawings . The picture is my choice and has nothing to do with Sarwat or his short story.


I am very excited and flattered to be allowed to put up this short story on the blog from one of my favourite UK YA authors - Sarwat Chadda. Sarwat wrote the whopping The Devil's Kiss published by Puffin here in the UK. We will soon be seeing the follow up novel The Dark Goddess from him, but in the meantime, he wrote this short story as a bridging link between the two stories. And as I am such a fan-girl when it comes to wolves and werewolves, I asked him permission to upload it onto the blog as part of our Monster Mash Up. And because he's a nice guy and he likes us, he said yes!

So, take it away, Sarwat:



The Bodmin Accord
by Sarwat Chadda
“We’re lost, Art.”

“Bloody hell...”

The flashlight came on and bobbed up and down as they ploughed across the muddy farm track. Percy kept his eyes on the few yards of rain-smeared earth and his hands tight around the steering wheel of Arthur’s old Jaguar.

“I told you we should have taken the jeep,” he muttered.

“Just...shut up, Percy,” said Arthur.

The underbelly of the car groaned as it scrapped over a semi-buried rock. Percy winced as he heard the exhaust rattle and break loose. Then it began clanging loudly, filling the interior with a dull metallic din.

Arthur snapped the ordnance survey map over and flattened it over the dashboard. The white beam of the torch splashed across the contours and narrow yellow lines of pathways and Percy caught a glance of Arthur’s old Royal Marines compass. The green cover was chipped and the lid held together with glue and tape. He’d told Art to get a new one but Art wouldn’t listen and there was no point arguing.

No one argued with Arthur SanGreal.

“Stop here,” said Arthur.

Percy slammed down on the brake, jerking forward so his face almost knocked the windscreen. He’d pushed the car-seat back as far as it would go but he’d still driven the entire journey from London with his knees up by his ears. He’d kept his head as low as possible but with all the potholes and trenches around here he’s spent the last hour banging his head against the ceiling. He unfolded himself out of the driver’s seat and groaned loudly as he stretched. He tilted his head hard sideways, pulling at his thick neck muscles until something cracked.

“Jesus, that’s better,” he said.

“Don’t blaspheme, Percy.” Arthur surveyed the dark moors with his binoculars. “Wake him up. We’re here.”

Percy hammered the rear passenger door.

“Oi! Gwaine!”

There was shuffling from within and the door opened. Gwaine peered out, rubbing his rough hands across his face.

“We there yet?” He didn’t look impressed. “I’m busting.” He yawned and walked over to the opposite side of the car. There was a sharp snap of a zip and then the patter of urine on earth.

Percy buttoned up his jacket and pulled down his wool hat. The last time he’d been out here was his Escape and Evasion training with the commandoes. He’d hated it then, too. The moors lay dull and desolate under the brooding cloudy skies. The moon was well hidden, leaving only a faint halo of shimmering cold white beyond the few cracks in the cloud cover. Stinging icy drizzle swept across the rolling landscape, whipped up and over the low hills and dull valleys. He’d met Arthur here. They’d both applied to join the Royal Marines and earned their green berets together. He glanced over at Arthur. He’d been a different man then. Hard, practical, but a laugh, someone who enjoyed life no matter how bad it got. He missed the old Arthur and maybe, deep down, he hoped that man was there somewhere.

“What’s on your mind?” said Arthur, not lowering his binoculars.

“Better days, Art.”

Gwaine swung open the boot. “Let’s get this farce over with,” he said.

Arthur handed the binoculars to Percy and pointed to a gap between two hills. “There.”

Percy turned the focus until the stones came into view. This part of Britain was sprinkled by prehistoric stone circles. Most were moss-covered lumps, the stones little more than roughly chipped boulders. The stones down in the shallow valley were maybe waist high, nothing like the glamorous circle of megaliths at Stonehenge. The circle was incomplete, maybe some farmer centuries ago had carted a few off to help build a barn or store house, but the irregular ditch still marked the original boundary. Figures moved amongst the rocks, half a dozen.

“Maybe I should do this,” said Percival.

“No.” Arthur reached into the boot and drew out his sword. “We’ve been through this already.” He pulled it out the scabbard and turned the blade, minutely inspecting its slivery edge.

“C’mon, Art,” Percival persisted. “Think about it.”

“About what?”

God, the man was stubborn. Percival grimaced but Arthur glanced at him, face cool and eyes dead.

“About what, Percy?”

“You have a kid, Art, in case you were wondering who that child was in your house. I’m here to tell you she is your daughter.”

“So?”

“So how do you think she’ll feel if you get yourself killed tonight? Let me do this.” Percival stuck out his hand.

Arthur slammed the blade back into the scabbard. He held it under his arm as he pulled on his leather gloves. “You’ll look after her.” He paused, then gave a casual shrug that may have fooled Gwaine but didn’t fool Percival. “Lord knows you’ll do a better job than me.”

Percival put his hand around the scabbard. There was no way Arthur could break his grip, Percival was almost two heads taller than the Templar Master and twice as huge.

“Let go,” said Arthur.

Gwaine pulled out a large revolver. One by one he loaded in chunky silver bullets. With a sharp flick the barrel snapped shut.

“Art wants to kill himself, Percy. You can’t stop him,” he said.

Percival peered down into his friend’s cold blue eyes. The creases around them were thicker than once they had been, his brown deeper with a constant frown, setting his eyes in a cavern of gloom. Friend, this man, Arthur, was his friend. They had no secrets from one another. They’d mingled their blood, sweat and fear on battlefields in Bosnia, in Iraq, in Africa. Once the join between them had been invisible, they’d been closer than twins. But after Jamila’s death a wall of cold stone had fallen across Arthur’s heart. He’d become a machine, alive only for the holy fight, the Bataille Tenebreuse.

Percival shoved the sword away. “You’re right, Art. Maybe Billi would be better off without you.” He’d said it to hurt him, injure what little spark of fatherly love there might still be. But Arthur just straightened his belt across his waist. His hand settled around the sword hilt.
Nothing hurt Arthur SanGreal. Not anymore.

“We’re wasting time,” said Gwaine. He pushed himself off the car and began down the slope.

Arthur looked at Percival, saying nothing. Then he turned away and left.


“Stupid, stupid, stupid,” muttered Percival. He grabbed his battle-axe, tearing off the oily cloth wrapped around the heavy steel head. He slammed the boot down so hard the entire car shook.

The other two were making their way across Bodmin moor towards the stones. For a second Percival was tempted to get in the car and just head back to London without them. If he was stronger, that’s what he should do. Instead he jogged after the two knights.

***

Bloody werewolves.

If there was any creature that Gwaine really, deeply hated, it was the werewolf. Mindless, bestial, savage like nothing else. They were machines of slaughter, which was why the Templar Rules clearly stated that any werewolf hunt should include a full lance per werewolf. Three knights per Hairy Scary.

So of course Arthur wanted them to take out an entire werewolf pack. Gwaine shook the mud off his boot, but it did no good. The field was just one huge quagmire and his legs were black with mud up to his knees. He swore and ploughed on.

Bloody Arthur.

The man wouldn’t listen to reason. Ever. Hadn’t he trained him? Hadn’t he brought Arthur into the Templars? He’d given the man purpose, pulled him, literally, out of the gutter. Now there were times when Arthur looked at him, well, it made Gwaine think he was something stuck to the Master’s boot.

The gutter. He’d found Arthur, in the gutter, under Waterloo Bridge. With the drunks, tramps, illegal immigrants. Snoring in his stinking old army sleeping bag, lying on a bed made of cardboard boxes.

He’d been kicked out of the Royal Marines after some bad business in Bosnia, and had spent six months in a psychiatric hospital. From there, out onto the streets.

Ghul attacks were up. He should have been suspicious, even then, that something was brewing. But that was all hindsight. No-one, not Lot, not Elaine, no-one could have predicted what was to follow. The Nights of Iron. The near-extinction of the Knights Templar.

A ghul had brought him to Arthur. The Unholy blood-drinker was feeding amongst the flotsam and jetsam that lived under the arches. It made sense. You drink from a kid, someone would investigate. You drink from some smelly tramp, even kill them, who’s interested? No-one.

Easy pickings.

Unless you pick a psychotic ex-Royal Marine with bad blood and an even badder head. The ghul had just sunk his needle-sharp fangs into Arthur’s neck and woken him. Strong as the undead was, even he was taken aback by Arthur’s ferocity. Gwaine had been trailing it, hoping to find its sleeping place and kill it during the day, but it had delayed, looking for a snack. A big mistake. A big, fat, fatal one.

Arthur had grabbed its hair and held it down with one hand while he pummelled its face with a half-brick. The concrete walls had echoed with the high-pitched screech of the Fang-face and Arthur didn’t stop until the only thing left was a smear of blood, brains and bone. Then he’d crawled into a corner and wept.

When he’d stopped sobbing, Gwaine spoke to him. Told him that other monsters were out there, tonight, doing what this creature had tried to do. He’d asked Arthur if he believed in God. He’d asked Arthur if he wanted to help fight against theses monsters, these Unholy. Arthur had only asked one question.

Why?

Gwaine smiled as he pushed himself through the deep, sticky mud. He’d given him the only answer a Templar could give.

Deus vult.

Okay, Arthur was still deeply disturbed and unstable, but now his rage and anger at the world had direction, focus. Gwaine had been pleased. It was simple. Just point Arthur in the right direction as send him on his way. The details were irrelevant, but his successes were legendary. The guy was just born to slaughter. With guns, swords, knives, his bare hands. Uncouth, lacking technique, just simple and direct.

Then he met Jamila. God, what an evil day that was!

She’d been a doctor working at the psychiatric hospital where he’d been a patient. She specialised in Post-traumatic stress disorder and while he hadn’t been her patient, she remembered him. They talked. They swapped numbers.

They fell in love.

The day they married Arthur should have been kicked out. Simple as that. No Templar was allowed to marry. Relationships were an unnecessary distraction. You needed to have one focus, one love. The Order. Nothing else. God had given the Templars a holy duty and it was not to get married, happy and lazy.

The less said about the kid, the better. Uriens was insane to let Arthur stay when they discovered he was about to become a dad. Insane.

Then Jamila died. The ghuls killed her and Gwaine got the old Arthur back. No, he got something better. Or worse. His hate was like a laser beam: pure, narrow and devastatingly intense.

With Uriens one of the first killed, Gwaine was finally in charge. Or should have been. The Nights of Iron were mad times. Death-dealing times. Truth be told, they all thought they were going to die. Knights were being picked off, the ghuls attacked in hordes. Gwaine tried to organise some defences, he’d even contemplated going for help. He tried to think things through. Like a proper Master. Conserve their strength and try and understand what was going on.

But total chaos reigned. The other Templars realised if they were going down, they were going down fighting. They took Arthur’s lead: Total war.

Sacred slaughter.

They killed and died and it was a close run thing. Out of the forty knights that had served under Uriens, less than ten survived. Gwaine’s strategy had failed. War was madness and it needed a man like Arthur to wage it.

The stones came into sight and they stopped. Torches flared around them and figures approached, cautiously.

Yes, times were mad. A man married to a Muslim led the Knights Templar. Hope rested on the shoulders of children. Here they were, fighting for a boy that all sense dictated should die.

Gwaine peered amongst the gathered figures, darkly robed in long winter coats or rough builders’ jackets. They looked like gypsies. Then he caught sight of him. Small, skinny and huddled against a rock, his hands tied together like a lamb ready for the butcher’s yard. The social services report said he was ten, but he looked younger, skinny with malnourished, sunken cheeks. His hair was silvery-white and crudely cut, half-covering his shining too-big blue eyes.

Gwaine scowled. They were risking their lives for this boy. Their eyes met and a chill crept up Gwaine’s spine. If he was a powerful as Elaine suspected, better they kill him quickly, here and now. Leave him to the wolves.

The boy called Kay.

***

Who do I kill?

Arthur gazed around the slow-gathering crowd, palm resting on the large iron pommel of the Templar sword.

He counted twelve, a mix of ages and equally divided between men and women. The Bodmin pack didn’t look like much. One, an old bloke with a faded red scarf wrapped around a scrawny neck, snarled at him. Most of his teeth were long gone, his gums pale and wrinkled. A few deformed canines dangled somewhere near the back of his mouth but his body was stick thin, buried deep under a heavy coat and bundle of blankets.

They’re dying.

As Arthur watched them he saw the sluggish movements, the deformities and dull stares of the Unholy.

The Beast Within was nearly extinct. Elaine had been right. This kidnapping was a last ditch attempt to hold off the inevitable; the end of the werewolves. Where the Templars had failed, technology and civilization had succeeded. The fumes belching from the millions of cars, the soot rising out of the factories and mines, the day by day erosion of the wild countryside, bound into parks or cleared away for fields of dumb sheep and cattle, all heralded the end of the werewolf. Soon the last of the wilderness would be tamed and the curse of lycanthropy would vanish. The Beast Within would fall silent forever and the last link between Man and Animal would gently rust away into nothing.

The werewolves of Bodmin had become civilized. That was their doom. Enclosed, isolated and lonely, they’d interbred for generations, hoping to protect the Beast within the intermingling of blood. Arthur could see the folly of it. The children were pale and puny. The Beast Within existed within everyone. It was a person’s capacity for savagery. For rage, raw action, for revelling in the hunt and the scent of blood in the dawn. The werewolf’s bite merely activated the Beast, brought it to the fore and allowed the person to truly awaken his animal soul.

But civilization dulled the Beast. Concrete imprisoned it. Words and letters and language baffled its senses. So as mankind marched towards a technological utopia, the Beast withered in mens’ souls. Britain, with hardly a forest or wild place, was especially hard. Dartmoor and a few places in Scotland offered some haven, but even these became tainted as they built roads and the horizons filled with houses and shops. There was no room now for wilderness, not on these shores.

Elaine had warned him. If he was bitten Arthur would succumb to the Beast. Not because he was weak, but because he was strong. The Beast fed on blood-lust and Arthur was all about blood-lust and battle-madness. The Beast Within howled day and night in his chest and a bite would allow it to break free. And once free there was no going back. Given the choice between true, bestial freedom and the constraints of being human, of being civilized, who would pick the latter?

Freedom. What he wouldn’t give to have it. Arthur would have let the werewolves be, in another generation they’d be gone and he would have been happy to play the long game. The battle had been fought for seven hundred years, what difference would another twenty have made? The Templars would have won.

Except for the boy.

Arthur tried to avoid looking at him, in case he betrayed how important the boy Kay was to him. An Oracle.

Elaine had tested him and his powers were off the chart. ESP, precognition, telekinesis, telepathy. The boy would save the Order. He was a Mentalist of extraordinary potential. True, he couldn’t control any of the gifts he had and they were driving him slowly mad, but under Elaine’s guidance, he would be saved. Arthur had Kay’s future mapped out. Maybe that was why he’d run away.

Straight into the claws of the Bodmin pack. Arthur knew something of their legends, of their religion. The werewolves followed ancient, pagan ways. Of gods of thunder, battle and night goddesses. They believed they were the first witches, taught the art of transformation, of animal tongue, command over the elements by their ancient goddess. Gaia. Morrigan. Parvati. Hecate. Kali. She had so many names but she was the first. Even now they sacrificed to her and what she savoured more than anything was the blood of the Spring Child.

In the dead of winter the ancient tribes would pick a child, one pure and beautiful and perfect, and cut out its heart and splash its life-blood over the earth, a sacrifice to summon spring out of the winter darkness. Back then, the magic had been stronger. Now, only a few Spring Children came along. The Gifted. Like Kay.

The Gifted indeed. Arthur had studied the Templar dairies, even though he struggled with Latin even now, the message was clear. In the Bataille Tenebreuse the Templars needed such recruits. Now they were called psychics. Once they would have been prophets, witches, magicians.

Mentalists like Kay. Able to access the hidden secrets of the mind, control thought and matter with just the strength of their will.

Mediums, who communicated with the Ethereal Realm. Who could speak with the dead, with the beings of Heaven and Hell.

Elementalists. Humans who commanded the wind, the earth and beasts. They could raise storms with the clap of their hands and summon earthquakes with the stamping of their feet.

But the Gifted were extraordinarily rare. Which was why everyone fought over them. The werewolves believed the blood of the Gifted could renew the earth, that their flesh would awaken the Beast. The Spring Child was a pack’s salvation.

Arthur had heard rumours that others too recruited the Gifted. The Inquisition had a secret seminary high in the Italian Alps where they trained demonologists and exorcists. Even the Assassins of Alamut were said to have killers who could disappear from plain sight and walk through walls. The tales were fantastical, but that didn’t make them false. He’d seen enough to know there were few limits.

"Where’s Nuada?” Arthur asked. Neither side could face a war, even over one of the Gifted. So a duel had been agreed. Arthur versus the pack’s alpha. The winner would take Kay.

Gwaine had argued for an ambush. Get the werewolves all together and wipe them out. Once, maybe, Arthur would have agreed. He had washed in so much blood, what difference would one more massacre have made? But as he’d made his way to the conclave he’d passed Billi, laughing at some stupid cartoon on the telly. She’d been sitting on the sofa with Balin playing baby-sitter. A plate of bread crumbs and glass half-full of milk lay on the floor beside her. How she laughed when she didn’t know he was there.

It had cut him straight through. His legacy was one of fear. Arthur brings nightmares to the monsters. That’s what they said about him. But at that moment he’d seen the legacy he’d left for his daughter. She feared him too.

She would be better off with Percy.

He’d kept his Templar life hidden from her. He knew she was suspicious, but too afraid to ask. He couldn’t tell her. He owed Jamila that. He would keep Billi away from the Knights Templar. She would not share his dark dreams.

“Here, Templar.” A man came through a gap between two weathered boulders. He wore his blonde hair in long plats, decorated with beads and feathers. His naked body was covered in Celtic patterns, deep blue spirals and knots of elaborate beauty. Beside him was a small boy with wild blonde dreadlocks. He hung onto his father’s hand and stared at Arthur with desperate, fear-filled eyes.

I am his nightmare, too, thought Arthur.

The pack alpha peered passed Arthur at Percy and Gwaine. Arthur could see the calculation in the man’s eyes. There were a dozen of them, only three Templars. But a dozen what? Old men. Sick children, weak-limbed adults. It wouldn’t be a fight. It would be a massacre.

“To the death, then?” said the man and in that moment Arthur knew he’d won. He watched the man unwrap his son’s fingers from his hand and the boy fought back tears. The old man put his hand on Nuada’s shoulder then led the boy to the side. A loose circle formed.

He just wants to live.

Why don’t I feel that? He wondered that and felt there was something wrong with him. Arthur didn’t fear because he didn’t have anything to live for. His wife was long dead and his daughter a stranger. He was a useless father. He’d been a poor husband. He’d ruined what few relationships he’d had and would ever do so. Percy stuck by him for old times’ sake, vainly hoping Arthur would change. But how else could he do what he did? He’d buried pity. Buried compassion. Buried his love.

“Yes, to the death,” answered Arthur. He drew out his sword and held it low and ready to his side.

“C’mon, Nuada, kill the bastard!” shouted someone. Nuada took a step sideways, hunched with his brawny arms spread out in front of him. His nails lengthened into yellow long hooks. Blonde and light brown hair thickened across his shoulders and his jaws stretched, fangs rising from his jaw.

Arthur didn’t move.

The transformation was gradual, disjointed. Nuada howled as his spine mutated and his skull lengthened. He walked on two legs, a grotesque man-beast, powerful forearms and reverse-jointed knees, thick corded muscle, locking immense strength within his legs. Only the eyes remained human, they never changed.

Arthur moved. His sword flicked up into a two-handed grip. The werewolf howled as the Templar Master stepped within range of his lethal claws. The monster’s eyes blazed with eagerness and he swept his right claw in a throat-ripping arc.

Arthur drove the sword blade upwards, catching the werewolf through the elbow joint. There was no resistance against the razor sharp steel. He turned into the blow that never came, instead Arthur was sprayed by arterial blood as the arm, completely severed, flew away. He twitched his wrist, reversed his grip and slammed the pommel square in the werewolf’s forehead. The creature wobbled and Arthur roared as he smashed the pommel once more across the beast’s jaw.

The beast collapsed and lay panting in the mud. Arthur pushed his boot onto the creature’s chest and held the sword high, ready for an executioner’s chop. The fight had lasted a few seconds.

“Not my da! Not my da!”

The boy broke free of his grandfather and threw himself against Arthur. He punched and kicked him, tears streaming down his pallid face. The grandfather jerked forward, but stopped. This was Arthur SanGreal.

He felt the terror amongst them. It made him sick. They were the monsters, and yet all he saw were a pitiful bunch of beggars, dressed in clothes gathered from charity shops, undernourished and so afraid. They had no hope, these predators. They saw the future and it was without them. Despite their claws, fierce fangs and howling, it was futile. Man had won. They lived in half-worlds, trapped between wolf and man, and they suffered.

Arthur lowered his sword and stepped backwards.

Instantly the boy threw himself onto his father, hugging the panting monster around its massive neck. The beast stared up at Arthur, blinking and bewildered. Then he nodded, slowly.

The crowd parted as Arthur approached the boy huddled against the rock.

“Come with me, Kay,” he said. He helped him up and drew the blade against the rope knot and the threads peeled apart.

Kay looked up at Arthur.

Arthur smiled. “You’re safe now, boy.”

Kay shook his head. “Not anymore.”

THE END