Showing posts with label october monster mash up. Show all posts
Showing posts with label october monster mash up. Show all posts

Thursday, October 29, 2009

The Good, the Bad and the Swedish: The Best and Worst Screen Adaptations of Horror Novels

We are so pleased to host Carly Bennett as part of our October Monster Mash Up. We borrowed her from the ever popular Luisa over at Chicklish. Find out more about Carly at the bottom of the post.



There are good and bad film adaptations of every genre of literature but horror seems to be the most popular for literary remakes. In this post I want to explore the five best and worst transitions from book to screen, while talking about my favourite genre, horror.

The good...

5. The Exorcist (1973)
4. Silence of the Lambs (1991)
3. Carrie (1976)
2. Misery (1990)
1. Dracula (1931 onwards)


Honourable mention (for Mia Farrow’s legendary haircut alone): Rosemary’s Baby (1968)

So why are the good so good?


I think one of the main reasons I love these five films so much is that they play up to our psychological fears. They’re the kind of films you’re left thinking about for days after, they don’t rely on cheap shocks or gore to scare the audience. If you look at the five books their villains are terrifying because of the mind games they play with their victims, because they’re so mentally unhinged it’s horrifying to watch them unravel.

Another thing these films have in common is that they’re all brilliantly acted by actors who really care about the genre. I don’t think anybody will ever forget fourteen year old Linda Blair’s oustanding performance as possessed child, Regan McNeil, in The Exorcist. It was after watching The Exorcist for the first time that I really became fascinated by adaptations. I’d have no idea that the film was based on a book and once I read William Peter Blatty’s classic, I was hooked. Soon after that I began to devour Stephen King’s works and there was no going back.

Linda Blair wasn’t the only actor who sealed her success in an adaptation. What about Christopher Lee and Bela Lugosi, who both ruled the silver screen through their timeless portrayals of Dracula? Sure, vampire’s may be the latest trend in horror and I know of many, many people who are sick to death of the Twilight phenomenon but, honestly, when the original story is so utterly captivating, who can blame the hundreds of directors who wanted to cash in on a bit of vampire magic? Dracula may be one of the most famous examples of a book to film adaptation that works. Sure, there are a few dud films but when vampire films are good, they’re outstanding.

All of the books I’ve mentioned above are driven by strong, memorable characters who work exceptionally well on the big screen. Is there a horror villain more memorable (and strangely charming) than Hannibal Lector? I don’t think so. His first interview with Clarice Starling is a scene I will never forget and, for me, Silence of the Lambs is, perhaps, one of the only instances where the film’s strength actually transcends the book.

But what list of outstanding services to spook and gore is complete with a reference to horror overlord, Stephen King? There have been countless remakes of King’s tales of terror, ranging from the terrible (Firestarter) to the terrific (Pet Semetary) but just a handful of these adaptations do the books justice. In my opinion, two of the best are Misery and Carrie.

By this point I’m sure you’re all wondering why I haven’t mentioned the great enigma itself, The Shining. There’s nothing I can say to build upon what other people have already written, so, in short; Stanley Kubrick’s adaptation is flawless and its fame has almost overshadowed the book but I don’t think any director can summon the power on screen that King can create on a page.

So, what is it about Carrie and Misery that worked so well? Well, Carrie will forever have a place in my heart as the first horror movie I ever saw, at the tender (and perhaps slightly premature) age of nine. And Misery is a film I will always relish watching with first time viewers. If you can sit through the notorious hobbling scene without wincing once, I wholeheartedly applaud you.

And, really, let’s hear it for the girls. Sissy Spacek put in an unfogettable performance as troubled teen Carrie White (“They’re all going to laugh at you.” Terrifying) and Kathy Bates was indeed Oscar worthy as deranged Annie Wilkes. Never before have I been so scared of a nice farming lady and her ceramic penguin. Spooky.


And the bad...

5. The Stand (1994)
4. Salem’s Lot (1979)
3. It (1990)
2. Frankenstein (1910 onwards)
1. Flowers in the Attic (1987)

So, why are the bad so mind-numbingly awful?

Now, I enjoy a good, traditional splatterfest as much as the next horror enthusiast but there are some things I just can’t condone and a bad Stephen King adaptation is one of them.

Think you can take one of the most timeless stories of all time and turn it into a dreadful ABC miniseries? Not on my watch. I’m talking, of course, about the sorry 1994 adaptation of The Stand.

The book is regarded by many as a masterpiece of the genre but the adaptation has been hailed as ‘campy and mundane’ by one Internet critic, who also suggested the casting was so terrible that ‘the only character who was cast accurately was Kojak, the dog’. *Bianca, author of this review, generously rated the show 2/5. Many other critics were not so kind.

Watching The Stand is a woeful experience, especially if you’re a fan of King’s work and the epic run time of 366 minutes really doesn’t help matters. That’s the thing with horror, it can’t be dragged out for too long. You need smart, snappy screenplays that cut to the chase and keep you gripped from start to finish. Of course, we need time to bond with the characters but the films on this list manage to neither charm nor hold anybody’s attention and, unfortunately, The Stand isn’t the only disappointing King adaptation, not by any stretch of the imagination.

Let’s examine exhibits 3 and 4, namely, Salem’s Lot and It. Let me start by saying that I absolutely adore both of these books. I really do, they’re two of my all time favourites and I really did try to enjoy the adaptions.

Let’s start with Salem’s Lot. Ah, a good old vampire story. Like I mentioned earlier, there are many brilliant vampire adaptations; there are also many shoddy efforts and, sadly, this falls into the latter category. King’s novel had a host of quirky characters who helped bring the story to life and there’s a terrific social commentary running throughout the book. These little details were missing in the miniseries, which relied too heavily on visual scares and tense moments, which never quite made me jump.

Then there’s It. It is probably my favourite Stephen King story of all time and when I heard there was a miniseries lurking in the back shelves of HMV, I had to see it. I shouldn’t have bothered. I cannot even begin to list the reasons you should avoid seeing this terrible piece of cinema. I have nothing good to say. Well, perhaps Pennywise is a bit creepy. I’d say more pervy than anything. Either way, not good.

Onto my penultimate choice. Flowers in the Attic is a good film and I did enjoy it. However, it wasn’t until I read the book years later that I realised what I had been missing. The incest and the Nazis; God, I’d been blissful in my ignorance.

Rather than the filmmakers and actors, I think the people to blame for this are those who work at the censorship board. Yes, Flowers in the Attic is not the most pleasant bedtime story, yes, it deals with things that might make the general viewing public uncomfortable but it’s briliantly written and the message is lost in the Hollywood adaptation that shies away from the difficult subject matter dealt with in the books.

I urge you, read this moving series of books before you watch the film; it will make the whole experience a lot more powerful. Although, I must point out that the fantastic “Eat the cookie!” moment will stay with me forever.

So, this brings me onto our final film on the list. It’s arguably the most famous of the bunch and may possibly have spawned even more remakes than Dracula. It is, of course, Frankenstein.

Now, Mary Shelley’s classic is not exactly light reading but it’s a harrowing story of love, isolation and man’s dangerous thirst for knowledge and power. Shelley’s novel has been described as the first of the ‘mad scientist’ genre and it is stunning reading. Sadly, the vast majority of Frankenstein films are made up of emotionless monsters with cardboard box feet and crazed scientists who trill “It’s alive!” at every opportunity.

The magic of Shelley’s novel was lost by the wayside many decades ago and there doesn’t seem to be any hint of a decent Frankenstein adaption on the horizon. Never fear though, once vampires have had their day, perhaps it will be the turn of the lonely monster and his reckless creator.

I also want to mention a few foreign adaptations that I feel are often overlooked in these lists. Of course there are the Asian frightfests: The Ring, Old Boy and Battle Royale, to name a few. But I really want to draw your attention to, what I believe is, the best horror film of this year. Let the Right One In is an adaptation of the Swedish novel of the same name and I was astounded by both book and film.

As I said before, vampires are all the rage but Let the Right One In manages to refresh a tired stereotype and I literally couldn’t take my eyes off of the film. It’s visually stunning and the story works just as well on screen as it does on paper. If you watch any film or read any book I’ve mentioned in this list, please make it Let the Right One In. I’ve heard horrible rumours there’s an American remake coming up (somebody even uttered the words ‘Miley Cyrus’), which already has me cringing.

So, with The Vampire’s Assistant and New Moon soon to be upon us the idea of novel adaptations is showing no signs of slowing down. I hope this list of the good and bad has made you think a bit more about adaptations. Some of them are brilliant, some of them are truly awful but as long as books are still serving as inspiration to those around us, that’s enough for me.

Carly Bennett

(*Bianca’s review of The Stand can be viewed here.)

About Carly Bennett

Carly is a 21 year old Creative Writing student at Bath Spa University. She's just about to graduate (which is utterly terrifying) and move into a swanky house in Bath with my boyfriend, Mark, and dear pal, Holly. She's hoping to make it, at some point, as a novelist or travel writer and her blog (here) chronicles her journey into the world of writing. Scary.

Saturday, October 24, 2009

Matt talks braaaains...uhm, zombies

I love the fact that we have this reservoir of untapped talent we can call on to talk to us about all manner of weird stuffs. In this instance, Matt (THE Teen Librarian) chats about Zombies.


When there is no more room in hell, the dead will walk the earth

In extreme circumstances, the assailants can be stopped by removing the head or destroying the brain. I will repeat that: by removing the head or destroying the brain.

It shall also be qualified as attempted murder the employment which may be made against any person of substances which, without causing actual death, produce a lethargic coma more or less prolonged. If, after the person had been buried, the act shall be considered murder no matter what result follows.
Article 249 of the Haitian Penal Code

Liches, Revenants, Undead – they have many names but none more chilling than Zombie.

The first zombie-related book I can remember reading was a collection of short stories called Zombie edited by Peter Haining, it was published in 1985 so I would have been about 11 or 12. These stories (or the ones that I can still remember) focused on the traditional zombies of Voodoo myth, the dead raised up to do the bidding of their masters, it was in this book that I learned that salt would send a zombie back to its grave. On the strength of Zombie I purchased the novelisation of Dawn of the Dead by George Romero. I can still remember the cover – it was black and white with the title in blood red, it gave me nightmares.

After that zombies sank into the background, they were always in the movies with George Romero tinkering away at what he is best known for and the remakes of the first films that introduced running zombies – totally going against the accepted view of the undead as shambling, unstoppable monsters.

I think that zombies are the most horrific in the pantheon of monsters we know. With werewolves we can remember the words: Even a man who is pure in heart, and says his prayers by night, can become a wolf when the wolfbane blooms, and the autumn moon is bright. They can be stopped with wolfsbane and silver, they can even be cured. Vampires are either tragic or evil but still operating to rules we can understand.

Then we come to zombies: they are pitiless, unstoppable and can look like our best friend, our dearest love, but their hunger is insatiable.



The first zombie-related book I read this year was the excellent Forest of Hands and Teeth by Carrie Ryan, set in a post zombie-apocalypse world it shows how humanity has adapted to survive in a world where they are surrounded by what they now call the Unconsecrated.

Closer to home are The Beautiful Dead a new series by Eden Maguire, the first two books Jonas and Arizona are out now. These books have a totally different slant on the undead, not the mindless revenants of myth, they are returned to find out why and how they died. Aided by Darina, their schoolmate and only person alive that knows that they have returned. The Beautiful Dead mixes mystery, murder and melancholy with themes of love and loss.

The Zombie Survival Guide and World War Z by Max Brooks detail how to survive zombie attacks and what happened during and after the Zom-pocalypse. Charlie Higson brings zombie terror to the streets of London with The Enemy - the first in a new series of novels about a world where everyone over the age of 14 is dead or a zombie hungry for the flesh of a the young.

In the 1970’s when the film Dawn of the Dead was released, zombies were a satire on the mindless consumerism of the people that flocked mindlessly to America’s shopping malls. These days the consumerism is still there but zombies can be seen more as a metaphor for the credit crunch, it was a long time in coming but almost everybody was affected (infected).

Nobody knows where or how the Undead plague started but with the current crop of books rising from the dead I know one thing -no matter how far we travel we are never alone for the dead travel with us!

Friday, October 23, 2009

Monster, monster, in the wall, who's the scariest of them all?

As part of our "Monster Mash Up" I've invited Mark Chitty, he of the pretty cool Walker of Worlds book blog review site, to pop by and talk to us about them there critters. And he's complied. Result!

Mark says:

I'm a big fan of anything monster related, from comics to books to movies, although the latter is definitely going to be the one that most people identify with. Whether you're a fan of Godzilla, Alien, Zombies or something a little different, the monster genre has something for everyone.

One of the first things that comes to mind for me is Freddy Krueger and the Nightmare on Elm Street films. I know these aren't strictly monster movies - at least in the traditional sense - but there's something monstrous about the idea of not being safe in your dreams that got to me and scared me half to death when I was a kid - I still struggle to watch the films and then get some sleep afterwards. Despite this I've got a fondness for monster movies that has stuck with me ever since.

I was never one to go for the old style Godzilla type movies when it came to choosing something to watch, I much preferred going for what was around at the time, although I was mainly subjected to whatever my brother and cousin decided we were watching - the gorier the better! Some that spring to mind are films like Critters, Gremlins, C.H.U.D., The Blob, Leviathan, Aliens, Predator and Ghoulies. Since those early days I tend to watch pretty much any monster movie I see on TV, although the acting can get pretty dismal in some of todays 'B' movies.

I can't miss this opportunity to tell you about some of my favourite monster movies and series, some of which are extremely worthy of you time!

The Alien films

The absolute classic alien monster film. This not only gave us an iconic monster that has endured for 30 years, but took the basic 'b' movie idea and raised it to play with the big boys. The first film was pretty much a straight monster movie and when it was released there were people running out of the cinema screaming and puking because of the infamous chest-buster scene. Aliens took a different apporach which added so much to the mix while the last two films were more of the same rather than too much new, but still worth a watch.


The Evil Dead films

Evil Dead is one of the best monster movies ever. Not only do you get the undead, you also get Ash, the best everyday hero you'll ever meet in a monster film. The first two films are more serious while the third, Army of Darkness, gives a more slapstick approach that is simply classic. The one-liners that Ash comes out with are brilliant:




The Tremors films

Perhaps not the most popular of franchises, especially as the films start a downward slide after the first, but Tremors is a great monster movie. It's got a secluded town, undergraound monsters and a guy that loves his weapons - an excellent combination. While each film adds to the mythology of the Graboids, once you get to the third and an evolution of them is names 'Ass Blasters', you know the series has seen it's day. Still, as it goes with a lot of cheesy films, I just can't help myself.

They're my favourite monster movies - what are your favourites?

Liz says: I have a confession: I have never ever watched a Nightmare on Elm Street movie. Ever. Oh, I know how it goes etc. but have never felt that I wanted to watch.

I luuuurve scary movies. Is that me being a bit Addams family?

Favourites are things like The Excorcist, Prophecy and Fallen. Hmmm, religious undertones there...quick, let me think of others: Arachnaphobia - oh little green apples of doom, this movie did so much to hype up my paranoia about spiders, you have absoloutely no frigging idea. Another favourite is: American Werewolf in London and Wolf with Jack Nicholson. Oh, as is The Village and Sixth Sense and Others - all by that man with the unpronouncable name: Night M Shyamalan. I also have great affinity for From Dusk till Dawn, John Carpenter's Vampires and Interview with a Vampire. But I would think that there are two movies, quite recently made, which I utterly love for no other reason than they freak me out and mess with my imagination:

Dog Soldiers - Tagline: Six soldiers. Full moon. No chance.


I have watched this flick so many times. It never fails to freak me out. I've sworn off any kind of camping, especially in Scotland. Admittedly the wolves at the end aren't that scary but it's how much is implied that gets me. That and the fact that they are consorting with the enemy whilst hiding from the wolves outside. Everything about this movie works so well. I love it to bits and it has some of the best dialogue ever!

Cooper: Go on then Bruce, what scares you?

Bruce: The self-destructive nature of the human condition.

Spoon: You're just taking the piss now.

Cooper: What about you, Spoon?

Spoon: Castration.

Cooper: There's no argument there. Joe?

Joe: Only one thing guaranteed to put the shits up me: a penalty shoot-out.

Cooper: Figures. Terry?

Terry: Watching a penalty shoot-out... with Joe.

Bruce: What about you, Coop?

Cooper: Spiders. And women. And... spider-women.


Twenty Eight Days Later - Tagline - His fear began when he woke up alone. His terror began when he realised he wasn't.

Twenty Eight Days Later is just blindingly scary. There is the element of Resident Evil (hmmm, Alice) when Jim wakes up in the movie and he is utterly alone. As he wanders through the streets of London as the sun rises, the devastation becomes apparent. No one is on the street. The whole place is deserted. He walks through places and areas I know so well, having walked them these past ten years and it's so quiet, Christmas morning quiet. He slowly comes to realise that things are not normal. For a movie that starts off with this ominious quiet, there is a lot of show not tell which I admire greatly. Then all hell breaks loose and Jim, Selena, Hannah and Frank jump in their car and they haul butt out of London, going north, hoping that the infected have died. Which is where hell takes a sidestep and the abyss looms. This flick just "wins" so much admiration from me - I'm a complete geek fan! Fantastic stuff.
So, that's me for now. Now, anyone else? What's your favourite scary movie - be it monstrous or not?

Wednesday, October 21, 2009

Spook's Apprentice by Joseph Delaney


Synopsis:


A terrifying series about a young boy training to be an exorcist. Thomas Ward is the seventh son of a seventh son and has been apprenticed to the local Spook. The job is hard, the Spook is distant and many apprentices have failed before Thomas. Somehow Thomas must learn how to exorcise ghosts, contain witches and bind boggarts. But when he is tricked into freeing Mother Malkin, the most evil witch in the County, the horror begins . . .


What struck me the most about The Spook's Apprentice (another recommendation from Year 7's at Oak Lodge Primary) is that the author genuinely doesn't care how scary he's being in this story. Also, his use of language is extremely mature. I fully expected something twee, something Disneyesque and am so grateful that I am wrong.


When we are introduced to Thomas and we quickly discover that he's that little bit different from the rest of his family, probably more like his (mysterious) mother than his father, who is a hard working farmer with a serious disposition who seems a bit bemused by his youngest son.


Events unfold quickly - Thomas sets off with the Spook and soon we realise that the Spook, for all the good he does the countryside keeping it clear of weird critters, is seen as a necessary evil. He has acquaintances but apparently no friends and Thomas struggles to come to grips with the fact that should he one day take over from the Spook, he would be shunned by his family and have little or no friends himself.


It is a harsh reality, one of many. The Spook's character was a revelation to me - here was a fully fledged 3D character and not just a mysterious tutor who said cryptic and mystical things, letting poor Thomas figure it out himself. Written with a sly sense of humour and coming across as likeable, the Spook is someone you would want to know, not just to clear some boggarts from your cellar, but someone to talk to and understand.


Thomas spends a lot of his time swotting up on boggarts, witches and other unlikely beasties, whilst receiving hands-on tutoring from the Spook himself. The Spook is very careful to explain to Thomas how things are done, especially when it comes to dealing with witches. Armed with all this new knowledge, Thomas is still tricked into freeing one of the most evil witches the County has ever seen, Mother Malkin. It's up to Thomas to fix what he's let out and it's a hair raising adventure, to say the least.


I was strongly reminded of Robin Hobb's writing (for older readers who know this excellent author's work) and I couldn't help but be carried away by the story and the characters. Thomas is likable and intelligent but not irritatingly precocious. We have empathy for his situation and can easily see what his motivations are. I always think that when you start shouting directly at a character in a book "don't do it!!", that the author's done his / her job well in involving you with the story.


The Spook's Apprentice is a pretty wild ride - in fact, it's a more than just a bit scary. The language is quite mature and the author expects you to keep up with the plot and the Spook's explanations and adventures. I would definitely recommend this, especially for reluctant readers. It may be slightly challenging but to be fair, so much goes on, that it would be unlikely that they notice how much they've read!


Find the wonderfully creative website for the Spook Books here - the site also links to the author's site and the upcoming movie site. There are several books out in this series, with Spook's Apprentice being the first. And I've had it on good authority that these just become better and better...

Monday, October 19, 2009

Sarwat Chadda Short Story - The Bodmin Accord

Artwork taken from Werewolf Art Drawings . The picture is my choice and has nothing to do with Sarwat or his short story.


I am very excited and flattered to be allowed to put up this short story on the blog from one of my favourite UK YA authors - Sarwat Chadda. Sarwat wrote the whopping The Devil's Kiss published by Puffin here in the UK. We will soon be seeing the follow up novel The Dark Goddess from him, but in the meantime, he wrote this short story as a bridging link between the two stories. And as I am such a fan-girl when it comes to wolves and werewolves, I asked him permission to upload it onto the blog as part of our Monster Mash Up. And because he's a nice guy and he likes us, he said yes!

So, take it away, Sarwat:



The Bodmin Accord
by Sarwat Chadda
“We’re lost, Art.”

“Bloody hell...”

The flashlight came on and bobbed up and down as they ploughed across the muddy farm track. Percy kept his eyes on the few yards of rain-smeared earth and his hands tight around the steering wheel of Arthur’s old Jaguar.

“I told you we should have taken the jeep,” he muttered.

“Just...shut up, Percy,” said Arthur.

The underbelly of the car groaned as it scrapped over a semi-buried rock. Percy winced as he heard the exhaust rattle and break loose. Then it began clanging loudly, filling the interior with a dull metallic din.

Arthur snapped the ordnance survey map over and flattened it over the dashboard. The white beam of the torch splashed across the contours and narrow yellow lines of pathways and Percy caught a glance of Arthur’s old Royal Marines compass. The green cover was chipped and the lid held together with glue and tape. He’d told Art to get a new one but Art wouldn’t listen and there was no point arguing.

No one argued with Arthur SanGreal.

“Stop here,” said Arthur.

Percy slammed down on the brake, jerking forward so his face almost knocked the windscreen. He’d pushed the car-seat back as far as it would go but he’d still driven the entire journey from London with his knees up by his ears. He’d kept his head as low as possible but with all the potholes and trenches around here he’s spent the last hour banging his head against the ceiling. He unfolded himself out of the driver’s seat and groaned loudly as he stretched. He tilted his head hard sideways, pulling at his thick neck muscles until something cracked.

“Jesus, that’s better,” he said.

“Don’t blaspheme, Percy.” Arthur surveyed the dark moors with his binoculars. “Wake him up. We’re here.”

Percy hammered the rear passenger door.

“Oi! Gwaine!”

There was shuffling from within and the door opened. Gwaine peered out, rubbing his rough hands across his face.

“We there yet?” He didn’t look impressed. “I’m busting.” He yawned and walked over to the opposite side of the car. There was a sharp snap of a zip and then the patter of urine on earth.

Percy buttoned up his jacket and pulled down his wool hat. The last time he’d been out here was his Escape and Evasion training with the commandoes. He’d hated it then, too. The moors lay dull and desolate under the brooding cloudy skies. The moon was well hidden, leaving only a faint halo of shimmering cold white beyond the few cracks in the cloud cover. Stinging icy drizzle swept across the rolling landscape, whipped up and over the low hills and dull valleys. He’d met Arthur here. They’d both applied to join the Royal Marines and earned their green berets together. He glanced over at Arthur. He’d been a different man then. Hard, practical, but a laugh, someone who enjoyed life no matter how bad it got. He missed the old Arthur and maybe, deep down, he hoped that man was there somewhere.

“What’s on your mind?” said Arthur, not lowering his binoculars.

“Better days, Art.”

Gwaine swung open the boot. “Let’s get this farce over with,” he said.

Arthur handed the binoculars to Percy and pointed to a gap between two hills. “There.”

Percy turned the focus until the stones came into view. This part of Britain was sprinkled by prehistoric stone circles. Most were moss-covered lumps, the stones little more than roughly chipped boulders. The stones down in the shallow valley were maybe waist high, nothing like the glamorous circle of megaliths at Stonehenge. The circle was incomplete, maybe some farmer centuries ago had carted a few off to help build a barn or store house, but the irregular ditch still marked the original boundary. Figures moved amongst the rocks, half a dozen.

“Maybe I should do this,” said Percival.

“No.” Arthur reached into the boot and drew out his sword. “We’ve been through this already.” He pulled it out the scabbard and turned the blade, minutely inspecting its slivery edge.

“C’mon, Art,” Percival persisted. “Think about it.”

“About what?”

God, the man was stubborn. Percival grimaced but Arthur glanced at him, face cool and eyes dead.

“About what, Percy?”

“You have a kid, Art, in case you were wondering who that child was in your house. I’m here to tell you she is your daughter.”

“So?”

“So how do you think she’ll feel if you get yourself killed tonight? Let me do this.” Percival stuck out his hand.

Arthur slammed the blade back into the scabbard. He held it under his arm as he pulled on his leather gloves. “You’ll look after her.” He paused, then gave a casual shrug that may have fooled Gwaine but didn’t fool Percival. “Lord knows you’ll do a better job than me.”

Percival put his hand around the scabbard. There was no way Arthur could break his grip, Percival was almost two heads taller than the Templar Master and twice as huge.

“Let go,” said Arthur.

Gwaine pulled out a large revolver. One by one he loaded in chunky silver bullets. With a sharp flick the barrel snapped shut.

“Art wants to kill himself, Percy. You can’t stop him,” he said.

Percival peered down into his friend’s cold blue eyes. The creases around them were thicker than once they had been, his brown deeper with a constant frown, setting his eyes in a cavern of gloom. Friend, this man, Arthur, was his friend. They had no secrets from one another. They’d mingled their blood, sweat and fear on battlefields in Bosnia, in Iraq, in Africa. Once the join between them had been invisible, they’d been closer than twins. But after Jamila’s death a wall of cold stone had fallen across Arthur’s heart. He’d become a machine, alive only for the holy fight, the Bataille Tenebreuse.

Percival shoved the sword away. “You’re right, Art. Maybe Billi would be better off without you.” He’d said it to hurt him, injure what little spark of fatherly love there might still be. But Arthur just straightened his belt across his waist. His hand settled around the sword hilt.
Nothing hurt Arthur SanGreal. Not anymore.

“We’re wasting time,” said Gwaine. He pushed himself off the car and began down the slope.

Arthur looked at Percival, saying nothing. Then he turned away and left.


“Stupid, stupid, stupid,” muttered Percival. He grabbed his battle-axe, tearing off the oily cloth wrapped around the heavy steel head. He slammed the boot down so hard the entire car shook.

The other two were making their way across Bodmin moor towards the stones. For a second Percival was tempted to get in the car and just head back to London without them. If he was stronger, that’s what he should do. Instead he jogged after the two knights.

***

Bloody werewolves.

If there was any creature that Gwaine really, deeply hated, it was the werewolf. Mindless, bestial, savage like nothing else. They were machines of slaughter, which was why the Templar Rules clearly stated that any werewolf hunt should include a full lance per werewolf. Three knights per Hairy Scary.

So of course Arthur wanted them to take out an entire werewolf pack. Gwaine shook the mud off his boot, but it did no good. The field was just one huge quagmire and his legs were black with mud up to his knees. He swore and ploughed on.

Bloody Arthur.

The man wouldn’t listen to reason. Ever. Hadn’t he trained him? Hadn’t he brought Arthur into the Templars? He’d given the man purpose, pulled him, literally, out of the gutter. Now there were times when Arthur looked at him, well, it made Gwaine think he was something stuck to the Master’s boot.

The gutter. He’d found Arthur, in the gutter, under Waterloo Bridge. With the drunks, tramps, illegal immigrants. Snoring in his stinking old army sleeping bag, lying on a bed made of cardboard boxes.

He’d been kicked out of the Royal Marines after some bad business in Bosnia, and had spent six months in a psychiatric hospital. From there, out onto the streets.

Ghul attacks were up. He should have been suspicious, even then, that something was brewing. But that was all hindsight. No-one, not Lot, not Elaine, no-one could have predicted what was to follow. The Nights of Iron. The near-extinction of the Knights Templar.

A ghul had brought him to Arthur. The Unholy blood-drinker was feeding amongst the flotsam and jetsam that lived under the arches. It made sense. You drink from a kid, someone would investigate. You drink from some smelly tramp, even kill them, who’s interested? No-one.

Easy pickings.

Unless you pick a psychotic ex-Royal Marine with bad blood and an even badder head. The ghul had just sunk his needle-sharp fangs into Arthur’s neck and woken him. Strong as the undead was, even he was taken aback by Arthur’s ferocity. Gwaine had been trailing it, hoping to find its sleeping place and kill it during the day, but it had delayed, looking for a snack. A big mistake. A big, fat, fatal one.

Arthur had grabbed its hair and held it down with one hand while he pummelled its face with a half-brick. The concrete walls had echoed with the high-pitched screech of the Fang-face and Arthur didn’t stop until the only thing left was a smear of blood, brains and bone. Then he’d crawled into a corner and wept.

When he’d stopped sobbing, Gwaine spoke to him. Told him that other monsters were out there, tonight, doing what this creature had tried to do. He’d asked Arthur if he believed in God. He’d asked Arthur if he wanted to help fight against theses monsters, these Unholy. Arthur had only asked one question.

Why?

Gwaine smiled as he pushed himself through the deep, sticky mud. He’d given him the only answer a Templar could give.

Deus vult.

Okay, Arthur was still deeply disturbed and unstable, but now his rage and anger at the world had direction, focus. Gwaine had been pleased. It was simple. Just point Arthur in the right direction as send him on his way. The details were irrelevant, but his successes were legendary. The guy was just born to slaughter. With guns, swords, knives, his bare hands. Uncouth, lacking technique, just simple and direct.

Then he met Jamila. God, what an evil day that was!

She’d been a doctor working at the psychiatric hospital where he’d been a patient. She specialised in Post-traumatic stress disorder and while he hadn’t been her patient, she remembered him. They talked. They swapped numbers.

They fell in love.

The day they married Arthur should have been kicked out. Simple as that. No Templar was allowed to marry. Relationships were an unnecessary distraction. You needed to have one focus, one love. The Order. Nothing else. God had given the Templars a holy duty and it was not to get married, happy and lazy.

The less said about the kid, the better. Uriens was insane to let Arthur stay when they discovered he was about to become a dad. Insane.

Then Jamila died. The ghuls killed her and Gwaine got the old Arthur back. No, he got something better. Or worse. His hate was like a laser beam: pure, narrow and devastatingly intense.

With Uriens one of the first killed, Gwaine was finally in charge. Or should have been. The Nights of Iron were mad times. Death-dealing times. Truth be told, they all thought they were going to die. Knights were being picked off, the ghuls attacked in hordes. Gwaine tried to organise some defences, he’d even contemplated going for help. He tried to think things through. Like a proper Master. Conserve their strength and try and understand what was going on.

But total chaos reigned. The other Templars realised if they were going down, they were going down fighting. They took Arthur’s lead: Total war.

Sacred slaughter.

They killed and died and it was a close run thing. Out of the forty knights that had served under Uriens, less than ten survived. Gwaine’s strategy had failed. War was madness and it needed a man like Arthur to wage it.

The stones came into sight and they stopped. Torches flared around them and figures approached, cautiously.

Yes, times were mad. A man married to a Muslim led the Knights Templar. Hope rested on the shoulders of children. Here they were, fighting for a boy that all sense dictated should die.

Gwaine peered amongst the gathered figures, darkly robed in long winter coats or rough builders’ jackets. They looked like gypsies. Then he caught sight of him. Small, skinny and huddled against a rock, his hands tied together like a lamb ready for the butcher’s yard. The social services report said he was ten, but he looked younger, skinny with malnourished, sunken cheeks. His hair was silvery-white and crudely cut, half-covering his shining too-big blue eyes.

Gwaine scowled. They were risking their lives for this boy. Their eyes met and a chill crept up Gwaine’s spine. If he was a powerful as Elaine suspected, better they kill him quickly, here and now. Leave him to the wolves.

The boy called Kay.

***

Who do I kill?

Arthur gazed around the slow-gathering crowd, palm resting on the large iron pommel of the Templar sword.

He counted twelve, a mix of ages and equally divided between men and women. The Bodmin pack didn’t look like much. One, an old bloke with a faded red scarf wrapped around a scrawny neck, snarled at him. Most of his teeth were long gone, his gums pale and wrinkled. A few deformed canines dangled somewhere near the back of his mouth but his body was stick thin, buried deep under a heavy coat and bundle of blankets.

They’re dying.

As Arthur watched them he saw the sluggish movements, the deformities and dull stares of the Unholy.

The Beast Within was nearly extinct. Elaine had been right. This kidnapping was a last ditch attempt to hold off the inevitable; the end of the werewolves. Where the Templars had failed, technology and civilization had succeeded. The fumes belching from the millions of cars, the soot rising out of the factories and mines, the day by day erosion of the wild countryside, bound into parks or cleared away for fields of dumb sheep and cattle, all heralded the end of the werewolf. Soon the last of the wilderness would be tamed and the curse of lycanthropy would vanish. The Beast Within would fall silent forever and the last link between Man and Animal would gently rust away into nothing.

The werewolves of Bodmin had become civilized. That was their doom. Enclosed, isolated and lonely, they’d interbred for generations, hoping to protect the Beast within the intermingling of blood. Arthur could see the folly of it. The children were pale and puny. The Beast Within existed within everyone. It was a person’s capacity for savagery. For rage, raw action, for revelling in the hunt and the scent of blood in the dawn. The werewolf’s bite merely activated the Beast, brought it to the fore and allowed the person to truly awaken his animal soul.

But civilization dulled the Beast. Concrete imprisoned it. Words and letters and language baffled its senses. So as mankind marched towards a technological utopia, the Beast withered in mens’ souls. Britain, with hardly a forest or wild place, was especially hard. Dartmoor and a few places in Scotland offered some haven, but even these became tainted as they built roads and the horizons filled with houses and shops. There was no room now for wilderness, not on these shores.

Elaine had warned him. If he was bitten Arthur would succumb to the Beast. Not because he was weak, but because he was strong. The Beast fed on blood-lust and Arthur was all about blood-lust and battle-madness. The Beast Within howled day and night in his chest and a bite would allow it to break free. And once free there was no going back. Given the choice between true, bestial freedom and the constraints of being human, of being civilized, who would pick the latter?

Freedom. What he wouldn’t give to have it. Arthur would have let the werewolves be, in another generation they’d be gone and he would have been happy to play the long game. The battle had been fought for seven hundred years, what difference would another twenty have made? The Templars would have won.

Except for the boy.

Arthur tried to avoid looking at him, in case he betrayed how important the boy Kay was to him. An Oracle.

Elaine had tested him and his powers were off the chart. ESP, precognition, telekinesis, telepathy. The boy would save the Order. He was a Mentalist of extraordinary potential. True, he couldn’t control any of the gifts he had and they were driving him slowly mad, but under Elaine’s guidance, he would be saved. Arthur had Kay’s future mapped out. Maybe that was why he’d run away.

Straight into the claws of the Bodmin pack. Arthur knew something of their legends, of their religion. The werewolves followed ancient, pagan ways. Of gods of thunder, battle and night goddesses. They believed they were the first witches, taught the art of transformation, of animal tongue, command over the elements by their ancient goddess. Gaia. Morrigan. Parvati. Hecate. Kali. She had so many names but she was the first. Even now they sacrificed to her and what she savoured more than anything was the blood of the Spring Child.

In the dead of winter the ancient tribes would pick a child, one pure and beautiful and perfect, and cut out its heart and splash its life-blood over the earth, a sacrifice to summon spring out of the winter darkness. Back then, the magic had been stronger. Now, only a few Spring Children came along. The Gifted. Like Kay.

The Gifted indeed. Arthur had studied the Templar dairies, even though he struggled with Latin even now, the message was clear. In the Bataille Tenebreuse the Templars needed such recruits. Now they were called psychics. Once they would have been prophets, witches, magicians.

Mentalists like Kay. Able to access the hidden secrets of the mind, control thought and matter with just the strength of their will.

Mediums, who communicated with the Ethereal Realm. Who could speak with the dead, with the beings of Heaven and Hell.

Elementalists. Humans who commanded the wind, the earth and beasts. They could raise storms with the clap of their hands and summon earthquakes with the stamping of their feet.

But the Gifted were extraordinarily rare. Which was why everyone fought over them. The werewolves believed the blood of the Gifted could renew the earth, that their flesh would awaken the Beast. The Spring Child was a pack’s salvation.

Arthur had heard rumours that others too recruited the Gifted. The Inquisition had a secret seminary high in the Italian Alps where they trained demonologists and exorcists. Even the Assassins of Alamut were said to have killers who could disappear from plain sight and walk through walls. The tales were fantastical, but that didn’t make them false. He’d seen enough to know there were few limits.

"Where’s Nuada?” Arthur asked. Neither side could face a war, even over one of the Gifted. So a duel had been agreed. Arthur versus the pack’s alpha. The winner would take Kay.

Gwaine had argued for an ambush. Get the werewolves all together and wipe them out. Once, maybe, Arthur would have agreed. He had washed in so much blood, what difference would one more massacre have made? But as he’d made his way to the conclave he’d passed Billi, laughing at some stupid cartoon on the telly. She’d been sitting on the sofa with Balin playing baby-sitter. A plate of bread crumbs and glass half-full of milk lay on the floor beside her. How she laughed when she didn’t know he was there.

It had cut him straight through. His legacy was one of fear. Arthur brings nightmares to the monsters. That’s what they said about him. But at that moment he’d seen the legacy he’d left for his daughter. She feared him too.

She would be better off with Percy.

He’d kept his Templar life hidden from her. He knew she was suspicious, but too afraid to ask. He couldn’t tell her. He owed Jamila that. He would keep Billi away from the Knights Templar. She would not share his dark dreams.

“Here, Templar.” A man came through a gap between two weathered boulders. He wore his blonde hair in long plats, decorated with beads and feathers. His naked body was covered in Celtic patterns, deep blue spirals and knots of elaborate beauty. Beside him was a small boy with wild blonde dreadlocks. He hung onto his father’s hand and stared at Arthur with desperate, fear-filled eyes.

I am his nightmare, too, thought Arthur.

The pack alpha peered passed Arthur at Percy and Gwaine. Arthur could see the calculation in the man’s eyes. There were a dozen of them, only three Templars. But a dozen what? Old men. Sick children, weak-limbed adults. It wouldn’t be a fight. It would be a massacre.

“To the death, then?” said the man and in that moment Arthur knew he’d won. He watched the man unwrap his son’s fingers from his hand and the boy fought back tears. The old man put his hand on Nuada’s shoulder then led the boy to the side. A loose circle formed.

He just wants to live.

Why don’t I feel that? He wondered that and felt there was something wrong with him. Arthur didn’t fear because he didn’t have anything to live for. His wife was long dead and his daughter a stranger. He was a useless father. He’d been a poor husband. He’d ruined what few relationships he’d had and would ever do so. Percy stuck by him for old times’ sake, vainly hoping Arthur would change. But how else could he do what he did? He’d buried pity. Buried compassion. Buried his love.

“Yes, to the death,” answered Arthur. He drew out his sword and held it low and ready to his side.

“C’mon, Nuada, kill the bastard!” shouted someone. Nuada took a step sideways, hunched with his brawny arms spread out in front of him. His nails lengthened into yellow long hooks. Blonde and light brown hair thickened across his shoulders and his jaws stretched, fangs rising from his jaw.

Arthur didn’t move.

The transformation was gradual, disjointed. Nuada howled as his spine mutated and his skull lengthened. He walked on two legs, a grotesque man-beast, powerful forearms and reverse-jointed knees, thick corded muscle, locking immense strength within his legs. Only the eyes remained human, they never changed.

Arthur moved. His sword flicked up into a two-handed grip. The werewolf howled as the Templar Master stepped within range of his lethal claws. The monster’s eyes blazed with eagerness and he swept his right claw in a throat-ripping arc.

Arthur drove the sword blade upwards, catching the werewolf through the elbow joint. There was no resistance against the razor sharp steel. He turned into the blow that never came, instead Arthur was sprayed by arterial blood as the arm, completely severed, flew away. He twitched his wrist, reversed his grip and slammed the pommel square in the werewolf’s forehead. The creature wobbled and Arthur roared as he smashed the pommel once more across the beast’s jaw.

The beast collapsed and lay panting in the mud. Arthur pushed his boot onto the creature’s chest and held the sword high, ready for an executioner’s chop. The fight had lasted a few seconds.

“Not my da! Not my da!”

The boy broke free of his grandfather and threw himself against Arthur. He punched and kicked him, tears streaming down his pallid face. The grandfather jerked forward, but stopped. This was Arthur SanGreal.

He felt the terror amongst them. It made him sick. They were the monsters, and yet all he saw were a pitiful bunch of beggars, dressed in clothes gathered from charity shops, undernourished and so afraid. They had no hope, these predators. They saw the future and it was without them. Despite their claws, fierce fangs and howling, it was futile. Man had won. They lived in half-worlds, trapped between wolf and man, and they suffered.

Arthur lowered his sword and stepped backwards.

Instantly the boy threw himself onto his father, hugging the panting monster around its massive neck. The beast stared up at Arthur, blinking and bewildered. Then he nodded, slowly.

The crowd parted as Arthur approached the boy huddled against the rock.

“Come with me, Kay,” he said. He helped him up and drew the blade against the rope knot and the threads peeled apart.

Kay looked up at Arthur.

Arthur smiled. “You’re safe now, boy.”

Kay shook his head. “Not anymore.”

THE END

Monday, October 12, 2009

**Competition - 5 copies of Evermore by Alyson Noel*

Alyson's amazing UK publishers have offered up five copies of Evermore in a competition.

*glee*

So, rules are:
  • Email us here with your name, to reach us by Monday, 19th October.
  • No duplicate emails.
  • UK entrants only.
  • Please put "Evermore" in subject title.

Happy competitioning, everyone!

Evermore by Allyson Noel


Synopsis

Since a horrible accident claimed the lives of her family, Ever can see auras, hear people's thoughts, and know a person's entire life story by touch. Going out of her way to avoid human contact and suppress her abilities has branded her as a freak at her new high school—but everything changes when she meets Damen. Damen Auguste is gorgeous, exotic and wealthy.

He's the only one who can silence the noise and random energy in her head—wielding a magic so intense, it's as though he can see straight into her soul. As Ever is drawn deeper into his enticing world of secrets and mystery, she's left with more questions than answers. She has no idea just who he really is—or what he is. The only thing she knows to be true is she's falling deeply and helplessly in love with him.

Allyson Noel is a new-to-me author but I know she is very popular. I also know, from reading Evermore that she knows how to spin a pretty decent yarn.

Ever, our main character, tries hiding from the world by appearing mediocre and dull. Hence her wearing baggy clothes and hoodies. She plus into her mp3 player at work to blank out the voices of her classmates and teachers. She limits the amount of physical contact she has with others - contact brings on stronger images from the people she comes into contact with, something she can do without.

I genuinely enjoyed Ever's voice. She used to be the cheerleader, the popular girl, the bitchy girl who hung with only the right people in school. That was her past. Her present and future is very different after the accident that killed her parents and little sister. She now lives with her aunt who works as a lawyer, leaving Ever a lot of time to cope with being on her own, on her own.

Ever's two friends we meet in the novel are unfortunately very much walk-on/walk-off characters. Their roles are small, they act as asides almost, which I found a little annoying and it detracts from Ever's story, rather than adding to it.

But she's not quite alone as her little sister - her dead little sister - still keep making an appearance in her life. Chalk one up to the author for bringing something truly supernatural Ever's life. We see her trying to cope not just with being a psychic but also seeing her sister's ghost and having full blown convesations with her. We see her trying to cling to being mediocre, to being dull, to not stand out.

But that changes when Damen comes into her life. We know there is something off, something different about Damon. He is emancipated, which means he can live his life without his parents, if he had any. School was something to do for him, when he wasn't surfing or hanging out other places.

Ever is attracted to Damon against her will. The descriptions Ever's friends use to describe Damen had me smiling as he does sound a rather nice object of desire. And he stays this way for a small while, until Ever faces up to her own desires, that she genuinely likes him. Their romance is a strange one - hesitant and peculiar but some things Damen says or alludes to had my detectors buzzing.

I wanted to fall in love with Damen, I genuinely did and I seriously thought that he was going to turn out being an immortal vampire (yawns a little) but I didn't and he wasn't. I liked the idea of Damen as this mysterious, incredibly beautiful boy, who saw past the image Ever portrayed and slowly but surely took his time to break down her reserves. I felt That Damen acted strangely and oddly at times during the book, sometimes even a bit manupilative, but to be honest, if his character is examined you could see where he was coming from.

Ms. Noel writes Ever's story with such ease that you let yourself be drawn into her world and as the novel ends you want more. Find the author's website here.

Evermore is now out from Mackmillan's Children's books here in the UK.

Thursday, October 08, 2009

Changeling by Steve Feasey


Synopsis

His father was a werewolf. His uncle may be a vampire. It’s time for fourteen-year-old Trey Laporte to discover the beast within. . .

Trey thought he was an ordinary teenager. Then he meets a mysterious stranger, Lucien Charron – luminously pale, oddly powerful, with eyes that seem flecked with fire and skin that blisters in sunlight. Somehow Trey finds himself in a luxury London penthouse, like a Bond villain’s lair. It’s the heart of a sinister empire, built on the powers of the netherworld – werewolves, vampires, sorcerers, djinns. And Trey himself has a power that’s roaring to break free. Is he a boy or is he a beast?


I have seen this funky looking book in a variety of bookshops and online but for reasons I genuinely can’t explain, I never picked up a copy. My interest however was definitely piqued when I visited Oaklodge Primary School earlier this year and got a chance to speak to a group of very enthusiastic Year 7’s. A group of boys had bounded up to me to demand to know if I knew Steve Feasey? Have I read his book Changeling? Will I be reading it? What did I think of monsters? Do I prefer werewolves to vampires? (werewolves, of course!)

I “know” Steve online via twitter and I did in fact tell him that he has a group of very dedicated fans who were waiting impatiently for book 2 of Changeling to come through. Steve must have remembered this as I got an email from his publishers, Macmillan, offering me both book 1 and 2 to read. And being the greedy little bookworm that I am, I said yes, and fell upon the first book of Changeling with undisguised glee and devoured it in maybe 2.5 days (on various commutes around London).

Reading the above teaser premise of Changeling, you may very well think it’s going to be slightly superficial, all gungho action and very little substance. I genuinely thought the same thing, I won’t lie to you.

Was I pleasantly surprised! Trey is a fully formed character whom are introduced to with a big bang. The opening scenes in Changeling tell you so much about him – he’s been orphaned, as his parents had died when he was quite small and his nan whom he had been staying with had also passed away recently. He was in a home for kids like him and you got the sense that it was not a pleasant place. Our story opens with his room which has been torn apart, including some of his favourite items of clothing. He is devastated. He’s just woken up to this wreckage. How did this happen? Why couldn’t he remember anything about the night before? Loads of questions crowd into his scared mind.

Then he gets dragged from the room to meet a mysterious man, Lucien, who claims to be his uncle. There is something odd about Lucien, apart from Trey realising that he genuinely wasn't related to him at all. He speaks in a very formal if archaic way, his movements and use of language is very considered, projecting a certain image. Very soon Trey is running from the home with this stranger, having entrusted Lucien with his life. On one hand he realises he’s doing something reckless and dangerous but something inside him is telling him he’s doing the right thing. Lucien’s story about him knowing Trey’s father and mother holds a ring of truth and this is what convinces him to trust this mysterious man. (warning, not to be tried at home)

Lucien takes him to his (very cool, gadget filled) penthouse in the City, revealing that he is in fact a vampire and that Trey is one of the last, if not the only, naturally born werewolves in the world. Lucien also reveals that Trey is in even more danger than he thought. The fact that Trey’s werewolf nature can go either way or rather, be utilized for either good or bad, is a big factor throughout the story.

Trey has to deal with a lot of changes, very suddenly. He has the help and support of Lucien, his daughter Alexa who is a half-vampire (born of a human mother) and Tom, and Irish hard man who is in fact, a big softie on the inside and whom I immediately fell in love with, just a little. We all need a gruff man who knows his way around the kitchen and the weapons room!

There is a lot that goes on in Changeling. A lot of character development and story progress. It sets up the characters, the world and the villain, Lucien’s brother Caliban, very well. Steve Feasey writes sickeningly well and in a very mature tone. When we meet Trey he’s using slang, his dialogue is sloppy and he’s a very confused and angry young man. As the story moves ahead there is a noticeable change in his attitude which we pick up from the way he interacts with Lucien, Alexa and Tom. His speech patterns change, he becomes a more solid, grounded person. This forms a brilliant contrast to the slavering beast he has within and it is this duality which I think those kids from Year 7 really enjoyed reading about. You don’t feel hesitant rooting for Trey – he has reasons to be angry and want revenge. You just hope that Lucien, Alexa and Tom can indeed help keep his beastly transformations within his control.

A genuinely good read for ages 11+. Some terrifically gory sections (yay!) some gratuitous tooling up scenes (guns and other weaponry) and some soul searching keeps this book well balanced between action adventure whilst telling a solid and clever story. I am looking forward to reading the second Changeling book, Changeling: Dark Moon.

Wednesday, October 07, 2009

James Lovegrove on writing about gods and guns

I am so pleased to have the opportunity to put up this guest blog post. I have become a big fan of James' novel Age of Ra (I review it over here at sfrevu.com) and pestered him endlessly with questions and wore him down into popping by to chat to us about creating Age of Ra, writing, characterisation and how he managed to get a girl (me) who goes into spasms around science fiction books because she "just doesn't get them" to not only READ military sci fi but LOVE IT.


A little over two years ago, George Mann of Solaris Books approached me about doing a novel for them in the alternate-history subgenre. I said, “Of course,” partly because I never turn down an offer of work but also because Solaris was swiftly building a reputation for itself as a classy imprint that could also generate sales. I sent George three story ideas, and the one he – and, happily, I – liked the most was The Age Of Ra (although it went by the working title Hieroglyph at that point). I rustled up a plot summary, contracts flew, and next I knew, I was immersing myself in the bonkers world of ancient Egyptian mythology.

Normally I can’t stand research and will do anything to avoid it, but this time it was pure pleasure acquainting myself better with the weird, convoluted continuity of the Egyptian pantheon and their various backstories, feuds and spheres of influence. I’d decided I would make this the most “Egypt-y” novel conceivable, throwing in everything I could fit in – mummies, scarab beetles, animal-headed deities, the works – and see what resulted.

I’d also been hankering to do something in the military-SF vein, for the perverse-seeming reason that I am not a fan of such books. Too often, it seems to me, military SF is an excuse for jingoistic, manly-man, gung-ho antics that don’t show the downside of conflict except, perhaps, in the most sentimental of lights. I wanted to do it differently (my mantra, and my best and worst characteristic as an author). I’ve greatly enjoyed the World War II spy novels of Alan Furst, and I felt here was a chance to write something in that same fatalistic, melancholy style – without skimping on the action sequences, of course.

The fun part of the plotting was establishing which gods would control which portions of Earth and how they would interact with their worshippers. I had to streamline the mythology to suit my purposes. I also had to create credible characters for the main divine dramatis personae, and here I openly acknowledge the influence of Neil Gaiman’s Sandman, a masterclass in showing how to humanise entities who are, essentially, abstract concepts.

I’ll admit I found the “god” chapters of the novel a challenge. All-powerful beings who bicker and connive against one another? You have to tread a fine line between the high-flown and the bathetic in order to get it right. The main trick was to make them believable, sublime yet flawed, and on that front I’m pardonably proud of the scene in which Ra reveals the existential dread at the core of his existence – he is god of the sun, but the sun is just one of billions of stars in the universe, so what value, then, is there in being a sun god? Ra, by the way, was easily my favourite in the pantheon to write. I have a penchant for big, bluff, genial authority figures who can be soft when they want to but stern when required.

As for the humans in the book, the story hinges on the relationship between two brothers, which is something I have no direct personal experience of, being the sibling of two older sisters. I do, however, have two sons, aged three years apart like David and Steven in Ra, so I extrapolated from how my boys are now to how they might be as grownups. Surely the closeness and combativeness of their relationship, that strange mix of mutual love and extreme violence which typifies their daily lives, would persist into adulthood, mutated perhaps but basically intact.

Once Ra was done – and I’d enjoyed writing it immensely – I wanted to do more, and Solaris wanted more from me too. I had already vaguely entertained the idea of writing a trilogy of “pantheon” novels. I also – here we go again – wanted to do it differently. Hence the upcoming The Age Of Zeus and The Age Of Odin are standalone books, not direct sequels. Apart from anything else, Ra is too self-contained to warrant a follow-up.


Zeus takes the whole gods-versus-humans idea down a notch. In it, the Greek gods are flesh-and-blood beings who actually inhabit the material world, though their divinity still separates them from humankind. In fact, they’re kind of superheroes, or supervillains to be precise, which allows me to bring my comic-geek sensibilities to the prose form.

Zeus is nearly written, although it’s turned into a bit of a behemoth. When I get round to Odin, what I’m hoping to do is play on the notion of whether the gods concerned are actually gods at all. Their divinity will be subjective, depending on who you believe and what you believe. So that’s taking the gods-versus-humans idea down a further notch. In that respect the three books describe a descent from faith through doubt to scepticism, a path most of us take in our lives, having been children who’ll believe anything and growing into cynical adults who’ll believe nothing.

But don’t worry, there’ll still be plenty of room for gore and violence, and even love. What fun would fiction be without those?

– James Lovegrove
**Competition Time**
I have a spare copy of Age of Ra which I bought when I first met James at a signing at Forbidden Planet a few months ago. I am giving you guys a chance to win it - which in itself is cool enough - but, James has agreed to personalise my unread copy to the winner of this competition. You may start squeeling.
The rules, as always, are simple. Email us with your name, Random.org will choose the winner and we'll announce it on 14th October.

Friday, October 02, 2009

**Competition Time - The Hollow, Jessica Verday**


I reviewed The Hollow by Jessica Verday here and now I've been offered the opportunity to give five copies away by her UK publishers, Simon and Schuster.

This pleases me greatly - for reasons which I can reveal as follows:
1. It is the perfect time of year to read The Hollow. Autumn is drawing its blanket around us and we definitely want to get into darker stranger books.

2. Although I didn't personally love the book madly I felt that this is a book to be aware of as a reader and reviewer because I suspect book 2 is going to be an animal and good fun. The potential is there and if I can get more peeps to read it and consider it, the author has already won.

3. I want people to share in the booklove I get from publishers and this competition is a pretty cool one. Also, it matches up with our Monster Mash Up we're currently having on the blog.

So - to enter this competition email us at this email address with your name. Please note this is open to UK entrants only. The competition runs from today, 2nd October till 9th October (which is my tenth wedding anniversary!!) uhm, and Random.org will be choosing the FIVE winners.

I was casting around for some pics to add to this and spotted this one on Jessica Verday's site and I have to say, I love it. Just look at the book love in her eyes.










Thursday, October 01, 2009

Spook School by Pete Johnson


Synopsis:


Welcome to Spook School - where lessons include learning how to fly, walking through walls and making objects move! Charlie's not all pleased to find himself at Spook School - he spent quite enough time at school when he was alive! But soon he proves himself to be a pretty impressive spook and is invited to join the Spook Squad, who are sent down to earth to investigate strange and spooky goings on. First on the list is the deadly Mothman, rumoured to be the size of a horse, with really sharp claws and a very bad temper.


This is one of the sweetest, laugh-out-loud funny stories and wonderfully illustrated kids' book I've had the honour to read (nom nom om) in recent times. With illustrations by the very talented Tom Percival (he did the excellent covers for Skulduggery Pleasant) the story of Charlie''s adjustment to Spook School and his subsequent adventures are captured with a charm and wit.


Pete Johnson, the author, is new to me, and I've popped over to his site to see what else he's done and he is clearly a popular and talented guy. I see more books being ordered online very soon!


Charlie's voice is so true and funny that I felt that I knew this little guy immediately. For instance, just look at the opening few lines of the first chapter:



I rubbed my eyes and stared. Something was floating towards
me.


It was a hand.

‘Whoah,’ I gasped.

I’d just woken up. I hadn’t a clue where I was. It was too dark to see
much. And now I’d been joined by a hand.

The hand started flying around me.

‘Hi there hand,’ I squeaked, ducking out of the way.

To my great surprise the hand answered. ‘Ooops, sorry. Now whatever you
do, don’t be frightened,’ it said.

‘Oh, of course not,’ I said to myself: ‘I’m in a weird place, with a
talking hand for company – no reason to be frightened
whatsoever.’

The voice went on. ‘Get ready for the rest of me.’ The next moment a
second hand appeared then some legs and a body.

‘How’s that?’ said a voice. It sounded quite proud of
himself.

‘Very good,’ I gasped. ‘It’s just you’re missing a head.’

And the book gets better from there on in. We discover that although Charlie is a nice kid, he's maybe a little arrogant, not in a nasty way, but because he has this unshaking confidence in his own abilities. Even though he has quite obviously never been dead before, he takes to his new un-life with gusto.


He pulls a couple of naughty stunts at Spook School and the consequences are him being sent to the headmaster's office. I can't help but think that the artist had someone like David Copperfield in mind mixed with Rupert Everitt - a fantastically eccentric, suave but stern looking teacher hauls Charlie over the coals, telling him off for acting up and warns him to watch his step.


But Charlie's amazing skills as a new spook has him being elevated to being part of the school's elite Spook Squad. And even if this is something he truly wanted, he doesn't quite appreciate the consequences of his new role as he gets sent off with his new friend Lewis to discover the truth behind the Mothman haunting one of the houses in the area.


Yes, Spook School is aimed at a very young audience but it's written in a mature style which I thoroughly appreciated. It's not something that will become tedious to read as for an audience and it slightly challenges younger readers and repays them with an engaging story, laugh out loud shenanigans and wonderful artwork to look at.


Spook School is published by Stripes Publishing and is the first in a continuing series. I'm definitely passing this review along to my friends who have young kids - it is a lovely book which will definitely stay on my bookshelf to re-read and perhaps I'll try some of my own sketches. No? Mark says no - he's seen my stick figures and has stomach cramps from laughing at them.

MFB October Monster Mash Up


Mark and I are HUGE monster fans - be they vampires, zombies, werewolves, Godzilla (or Duckzilla?), anacondas, arachnids (snarls) and all manner of other creepy things, yes, this includes bugs a la Heinlein.

So, to celebrate monster coolness in all its gory glory, we are embarking on a month long homage on the MFB blog to monsters - we've got books and movies lined up to review. I've bought the entire box set of Buffy, she of the high kicks and one-liners, and will be steadily working my way through them, and will be blogging some thoughts as a lot of these will be new to me, having missed the entire three of four first series' due to inattention to TV.

Similarly, we have a batch of left-over horror interviews from earlier this year which need to see the light of day.

I'll be asking guest bloggers to stop by to chat about favourite monsters and hopefully some authors can come out to play and talk to us about their favourite critters and scary books and movies.


It's going to be a bumper month with reviews, talks and giveaways. Get comfy and stick around!